Fascinating portrait of a great role model for adventurous youth who are interested in science.
Mary Anning rocks on in this down-to-earth retelling of the unusual life story of the 19th-century fossil hunter extraordinaire.
Anning’s strong, idiosyncratic personality bursts forth from the opening pages of this bold first-person narrative. Anning despises typical feminine pursuits and prefers to go “fossicking” with her father on the treacherous Blue Lias clay cliffs near Lyme Regis in Dorset in the south of England. Her grit and determination give her a head start in locating and extracting many valuable fossils, which she sells to boost the family budget. Her Dissenter father causes her to question the biblical story of Creation, since it is obvious to her that fossils have been buried in the Earth for a long time. Anning faces many obstacles; she is poor, female, working class, and has to work to ward off starvation. By chance encounters through the sale of her wares, she learns from the famous geologists of the day and begins to understand the real significance of her discoveries. Her discovery of the ichthyosaur sets her on the path to fame and a better standard of living, but she remains cynical and bitter about ever becoming recognized for her achievements. Anning’s rebellious spirit and fascination with science will resonate with curious readers.
Fascinating portrait of a great role model for adventurous youth who are interested in science. (biographical notes, fossils and fossil-hunting, information about girls in STEM) (Biography. 9-14)Pub Date: Sept. 1, 2020
ISBN: 978-1-78344-829-6
Page Count: 272
Publisher: Andersen/Trafalgar
Review Posted Online: June 30, 2020
Kirkus Reviews Issue: July 15, 2020
BOOK REVIEW
BOOK REVIEW
Reads like a grown-up’s over-the-top effort to peddle a set of kid-friendly premises—a notion that worked for the author’s...
A boy asks Santa for a dinosaur and gets a life-changing experience.
Cribbing freely from any number of classic Christmas stories and films, musician/vlogger Fletcher places his 10-year-old protagonist, William, who uses a wheelchair, at the head of an all-white human cast that features his widowed dad, a girl bully, and a maniacal hunter—plus a dinosaur newly hatched from an egg discovered in the North Pole’s ice by Santa’s elves. Having stowed away on Santa’s sleigh, Christmasaurus meets and bonds with William on Christmas Eve, then, fueled by the power of a child’s belief, flies the lad to the North Pole (“It’s somewhere between Imagination and Make-Believe”) for a meeting with the jolly toymaker himself. Upon his return William gets to see the hunter (who turns out to be his uncle) gun down his dad (who survives), blast a plush dinosaur toy to bits, and then with a poster-sized “CRUNCH! GULP!” go down Christmasaurus’ hatch. In the meantime (emphasis on “mean”), after William spots his previously vicious tormenter, Brenda Payne, crying in the bushes, he forgives trespasses that in real life would have had her arrested and confined long ago. Seemingly just for laffs, the author tosses in doggerel-speaking elves (“ ‘If it’s a girl, can we call her Ginny?’ / ‘I think it’s a boy! Look, he’s got a thingy!’ ”) and closes with further lyrics and a list of 10 (secular) things to love about Christmas. Devries adds sugary illustrations or spot art to nearly every spread.
Reads like a grown-up’s over-the-top effort to peddle a set of kid-friendly premises—a notion that worked for the author’s The Dinosaur That Pooped a Planet (2017), but not here. (Fantasy. 9-11)Pub Date: Oct. 23, 2018
ISBN: 978-1-5247-7330-4
Page Count: 384
Publisher: Random House
Review Posted Online: July 15, 2018
Kirkus Reviews Issue: Aug. 1, 2018
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A beautiful, powerful reflection on a tragic history.
In spare verse, Lowry reflects on moments in her childhood, including the bombings of Pearl Harbor and Hiroshima.
When she was a child, Lowry played at Waikiki Beach with her grandmother while her father filmed. In the old home movie, the USS Arizona appears through the mist on the horizon. Looking back at her childhood in Hawaii and then Japan, Lowry reflects on the bombings that began and ended a war and how they affected and connected everyone involved. In Part 1, she shares the lives and actions of sailors at Pearl Harbor. Part 2 is stories of civilians in Hiroshima affected by the bombing. Part 3 presents her own experience as an American in Japan shortly after the war ended. The poems bring the haunting human scale of war to the forefront, like the Christmas cards a sailor sent days before he died or the 4-year-old who was buried with his red tricycle after Hiroshima. All the personal stories—of sailors, civilians, and Lowry herself—are grounding. There is heartbreak and hope, reminding readers to reflect on the past to create a more peaceful future. Lowry uses a variety of poetry styles, identifying some, such as triolet and haiku. Pak’s graphite illustrations are like still shots of history, adding to the emotion and somber feeling. He includes some sailors of color among the mostly white U.S. forces; Lowry is white.
A beautiful, powerful reflection on a tragic history. (author’s note, bibliography) (Memoir/poetry. 10-14)Pub Date: April 7, 2020
ISBN: 978-0-358-12940-0
Page Count: 80
Publisher: HMH Books
Review Posted Online: Jan. 11, 2020
Kirkus Reviews Issue: Feb. 1, 2020
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