by Anthony Aguirre ‧ RELEASE DATE: May 21, 2019
A delight for readers raised on books like Gödel, Escher, and Bach and The Dancing Wu Li Masters.
A physicist and philosopher delivers a provocative set of meditations on the nature of life, the universe, and everything.
If you think hard enough about the unlikeliness that you are you—to say nothing of the fact that the universe is not only infinite, but also expanding—your head is likely to hurt. All the more so when Aguirre (Physics/Univ. of California–Santa Cruz; co-editor: What Is Fundamental?, 2019, etc.) throws in a monkey wrench on the latter point: “It’s got just one glaring flaw: the actual universe that astronomers observe is not like this.” Throw in other imponderables worth pondering, as the author does—e.g., “if the electric repulsion between protons in the nuclei of atoms were just a bit stronger, then those atoms, and hence chemistry, and hence life itself, could not apparently exist”—and the throbbing temple threatens to explode. Some of Aguirre’s forays into cosmological questions can be as squishy as any New Age guru’s, as when he asks us to consider ourselves not just part of the universe, but central to it, but he tempers the fuzziness with some truly engaging questions (and questions, he hints, are vastly more interesting than answers when it comes to matters of the universe). Of what, for instance, are atoms made? The textbook answer is quarks and mesons and electrons and such, but also, Aguirre writes, information. And not just any old information, but information that projects dimensionally, proving Zeno’s paradox and Galileo’s notion that “there is nothing particularly natural or easy or special about being at rest.” Though written with the generalist in mind, Aguirre’s arguments can be a little difficult to grok sometimes, which is probably the point: It stands to reason that “quantum reality is somewhat ambiguous,” but it gets a little shaky when we ask, since everything is quantum mechanical, why do we die?
A delight for readers raised on books like Gödel, Escher, and Bach and The Dancing Wu Li Masters.Pub Date: May 21, 2019
ISBN: 978-0-393-60921-9
Page Count: 384
Publisher: Norton
Review Posted Online: March 16, 2019
Kirkus Reviews Issue: April 1, 2019
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by Timothy Paul Jones ‧ RELEASE DATE: Sept. 1, 2005
Worthwhile reference stuffed with facts and illustrations.
A compendium of charts, time lines, lists and illustrations to accompany study of the Bible.
This visually appealing resource provides a wide array of illustrative and textually concise references, beginning with three sets of charts covering the Bible as a whole, the Old Testament and the New Testament. These charts cover such topics as biblical weights and measures, feasts and holidays and the 12 disciples. Most of the charts use a variety of illustrative techniques to convey lessons and provide visual interest. A worthwhile example is “How We Got the Bible,” which provides a time line of translation history, comparisons of canons among faiths and portraits of important figures in biblical translation, such as Jerome and John Wycliffe. The book then presents a section of maps, followed by diagrams to conceptualize such structures as Noah’s Ark and Solomon’s Temple. Finally, a section on Christianity, cults and other religions describes key aspects of history and doctrine for certain Christian sects and other faith traditions. Overall, the authors take a traditionalist, conservative approach. For instance, they list Moses as the author of the Pentateuch (the first five books of the Hebrew Bible) without making mention of claims to the contrary. When comparing various Christian sects and world religions, the emphasis is on doctrine and orthodox theology. Some chapters, however, may not completely align with the needs of Catholic and Orthodox churches. But the authors’ leanings are muted enough and do not detract from the work’s usefulness. As a resource, it’s well organized, inviting and visually stimulating. Even the most seasoned reader will learn something while browsing.
Worthwhile reference stuffed with facts and illustrations.Pub Date: Sept. 1, 2005
ISBN: 978-1-5963-6022-8
Page Count: -
Publisher: N/A
Review Posted Online: May 23, 2010
Review Program: Kirkus Indie
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by Albert Camus ‧ RELEASE DATE: Sept. 26, 1955
This a book of earlier, philosophical essays concerned with the essential "absurdity" of life and the concept that- to overcome the strong tendency to suicide in every thoughtful man-one must accept life on its own terms with its values of revolt, liberty and passion. A dreary thesis- derived from and distorting the beliefs of the founders of existentialism, Jaspers, Heldegger and Kierkegaard, etc., the point of view seems peculiarly outmoded. It is based on the experience of war and the resistance, liberally laced with Andre Gide's excessive intellectualism. The younger existentialists such as Sartre and Camus, with their gift for the terse novel or intense drama, seem to have omitted from their philosophy all the deep religiosity which permeates the work of the great existentialist thinkers. This contributes to a basic lack of vitality in themselves, in these essays, and ten years after the war Camus seems unaware that the life force has healed old wounds... Largely for avant garde aesthetes and his special coterie.
Pub Date: Sept. 26, 1955
ISBN: 0679733736
Page Count: 228
Publisher: Knopf
Review Posted Online: Sept. 19, 2011
Kirkus Reviews Issue: Sept. 1, 1955
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