by Anthony Bailey ‧ RELEASE DATE: Dec. 31, 1998
A thorough, careful biography of a talented, deeply evasive English painter whose own contemporaries knew little of him. Bailey, a former staff writer for the New Yorker and author of some 20 books (The Coast of Summer, 1994, etc.), undertook a difficult task in writing this. For even during the artist’s lifetime, Turner took great pains to deny his past, ignoring or obliterating his various tragedies. Nonetheless, Bailey has created a convincing portrait of the man by plowing assiduously through historical records, archives, and earlier biographies. The painter who appears in these pages is anything but a sympathetic character: After his mother was committed to the notorious Bethlehem Hospital for the insane when Turner was just 26, he never spoke of her again. Upon her death just two years later, his secretiveness intensified. Given his subject’s lifelong elusiveness, Bailey has done an admirable job of refracting Turner’s personality through detailed and lively descriptions of his social milieu and the writings of his peers. Apparently, even his contemporaries found this small, bandy-legged, and homely man perplexing. His friend and colleague David Roberts, while acknowledging Turner’s “profound greatness,” for example, also wrote that he was “selfish to an extream . . . [and] cunning, penurious & sensual.” Few ever knew that Turner first lived with one widow, fathered two daughters by her, and subsequently took up with another; he never married either. Of his artistic life, by comparison, much is known: Turner’s talents were recognized in childhood, were fostered in the Royal Academy, and they remained the subject of much debate. Bailey balances each aspect—the personal and the professional—well, and even manages to convey his own compassion for his paradoxical subject. —His contradictions have puzzled many,— he writes, —but they endear him to me.— Without ever denying Turner’s quirks and petty cruelties, Bailey gradually illuminates the artist’s character.
Pub Date: Dec. 31, 1998
ISBN: 0-06-118002-5
Page Count: 512
Publisher: HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 1, 1998
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by Chris Gardner with Quincy Troupe ‧ RELEASE DATE: June 1, 2006
Well-told and admonitory.
Young-rags-to-mature-riches memoir by broker and motivational speaker Gardner.
Born and raised in the Milwaukee ghetto, the author pulled himself up from considerable disadvantage. He was fatherless, and his adored mother wasn’t always around; once, as a child, he spied her at a family funeral accompanied by a prison guard. When beautiful, evanescent Moms was there, Chris also had to deal with Freddie “I ain’t your goddamn daddy!” Triplett, one of the meanest stepfathers in recent literature. Chris did “the dozens” with the homies, boosted a bit and in the course of youthful adventure was raped. His heroes were Miles Davis, James Brown and Muhammad Ali. Meanwhile, at the behest of Moms, he developed a fondness for reading. He joined the Navy and became a medic (preparing badass Marines for proctology), and a proficient lab technician. Moving up in San Francisco, married and then divorced, he sold medical supplies. He was recruited as a trainee at Dean Witter just around the time he became a homeless single father. All his belongings in a shopping cart, Gardner sometimes slept with his young son at the office (apparently undiscovered by the night cleaning crew). The two also frequently bedded down in a public restroom. After Gardner’s talents were finally appreciated by the firm of Bear Stearns, his American Dream became real. He got the cool duds, hot car and fine ladies so coveted from afar back in the day. He even had a meeting with Nelson Mandela. Through it all, he remained a prideful parent. His own no-daddy blues are gone now.
Well-told and admonitory.Pub Date: June 1, 2006
ISBN: 0-06-074486-3
Page Count: 320
Publisher: Amistad/HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 2006
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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