by Anthony Bailey ‧ RELEASE DATE: Nov. 8, 2011
An impressive work of history that gives the reader a greater appreciation for the art, if not an understanding of the mind,...
A fascinating look at the paintings and history of 17th-century Spanish court painter Diego Velázquez, through the prism of one of his greatest masterpieces.
Longtime New Yorker writer Bailey (John Constable: A Kingdom of His Own, 2007, etc.) uses Velázquez’s painting of the 1625 surrender of the Dutch town of Breda to Spanish forces as an entry point into a richly detailed portrait of the court of King Philip IV as Spain’s Hapsburg empire crumbled around him. Though the basic details of Velázquez’s life are known and some 125 of his paintings survive, as Bailey apologetically reminds us throughout, when it comes to his inner thoughts and feelings, there is little to go on. The only description of the painter’s personality, given by several sources, is that he was phlegmatic—“in modern parlance, Velázquez was cool.” There is, however, much documentation about Philip IV’s court, and Bailey brings it vividly to life, as he simultaneously traces the artist’s rise from humble beginnings to eventual nobility. The author also thoroughly examines the military victory at Breda, a high point on the downward slope, along with other important events and many of Velázquez’s most famous works. Bailey does not resist the temptation to speculate about the painter’s inner life based on his work, with mixed results. Ultimately, Velázquez remains a cipher, a man whose ambition seems to have been focused on advancing at court rather than on becoming a great artist. That he did become one is confirmed by the paintings he left behind, and his influence, covered by Bailey in the penultimate chapter, on those who followed.
An impressive work of history that gives the reader a greater appreciation for the art, if not an understanding of the mind, of one of the world’s master painters.Pub Date: Nov. 8, 2011
ISBN: 978-0-8050-8835-9
Page Count: 288
Publisher: John Macrae/Henry Holt
Review Posted Online: Aug. 15, 2011
Kirkus Reviews Issue: Sept. 1, 2011
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
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by Elie Wiesel ; illustrated by Mark Podwal
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by Elie Wiesel ; translated by Marion Wiesel
by Jon Krakauer ‧ RELEASE DATE: Jan. 1, 1996
A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor...
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The excruciating story of a young man on a quest for knowledge and experience, a search that eventually cooked his goose, told with the flair of a seasoned investigative reporter by Outside magazine contributing editor Krakauer (Eiger Dreams, 1990).
Chris McCandless loved the road, the unadorned life, the Tolstoyan call to asceticism. After graduating college, he took off on another of his long destinationless journeys, this time cutting all contact with his family and changing his name to Alex Supertramp. He was a gent of strong opinions, and he shared them with those he met: "You must lose your inclination for monotonous security and adopt a helter-skelter style of life''; "be nomadic.'' Ultimately, in 1992, his terms got him into mortal trouble when he ran up against something—the Alaskan wild—that didn't give a hoot about Supertramp's worldview; his decomposed corpse was found 16 weeks after he entered the bush. Many people felt McCandless was just a hubris-laden jerk with a death wish (he had discarded his map before going into the wild and brought no food but a bag of rice). Krakauer thought not. Admitting an interest that bordered on obsession, he dug deep into McCandless's life. He found a willful, reckless, moody boyhood; an ugly little secret that sundered the relationship between father and son; a moral absolutism that agitated the young man's soul and drove him to extremes; but he was no more a nutcase than other pilgrims. Writing in supple, electric prose, Krakauer tries to make sense of McCandless (while scrupulously avoiding off-the-rack psychoanalysis): his risky behavior and the rites associated with it, his asceticism, his love of wide open spaces, the flights of his soul.
Pub Date: Jan. 1, 1996
ISBN: 0-679-42850-X
Page Count: 320
Publisher: Villard
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 15, 1995
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