Fine reading for art buffs and students of early-modern European history alike.
An ably wrought biography of the Dutch master.
Though a fixture in art-history texts, the painter Johannes Vermeer has long been something of a puzzle; his life from baptism to betrothal is, as New Yorker staff writer Bailey notes, “document-free,” and his total output numbers only some 35 works. The author makes educated guesses about those missing years, which appear to have been happy enough, and he paints a lively portrait of daily life in the waning years of Holland’s golden age—when a tiny nation at the edge of the sea controlled a vast mercantile empire, and when the ideas of the likes of Baruch Spinoza and Constantijn Huygens enlivened the intellectual discourse of an uncommonly easygoing Protestant society. Bailey is a knowing commentator who makes subtle observations on the body of Vermeer’s work; he notes, for instance, that Vermeer slyly avoided several conventions, shunning formulaic portraiture in favor of psychological studies, mostly of women, whose self-regard he rendered with keen insight. (He also, Bailey notes, kept his work largely free of the dogs that figure so prominently in the paintings of his contemporaries; only one dog figures in his oeuvre, this one a docile Springer spaniel that incongruously accompanies the hunting goddess Diana.) “Vermeer went out of his way not to be seen drawing moral lessons. It seems to me that he removed the speech from his characters’ lips and froze their actions in perpetual ambiguity.” The painter’s singular skills have made him a favorite of collectors—and of thieves, although only one Vermeer (The Concert, stolen from a Boston museum in 1990) is still missing.
Fine reading for art buffs and students of early-modern European history alike.Pub Date: April 16, 2001
ISBN: 0-8050-6718-3
Page Count: 256
Publisher: Henry Holt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 1, 2001
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
PERSPECTIVES
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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