Berkeley makes his highly artificial plot consistently lively, amusing, and treasurable.
Berkeley games the conventions of golden-age whodunits yet again in this ghoulish bonbon first published in 1933.
At a tasteful party given by Ronald Stratton, whose guests are attired as famous murderers and their victims, Roger Sheringham finds his attention divided between a triple gallows installed on his host’s roof with three stuffed corpses dangling from their nooses—two “jumping jacks” and a distaff “jumping jenny”—and the figure of Ena Stratton, the striking wife of Ronald’s brother, David. Soon after he chats with Ena and finds that a little of her goes a long way, she does him the favor of focusing his attention on a single point again by getting strung up on the gallows herself after the party has ended. It hardly seems possible that she could have leaped into the noose herself without the support of a chair, whose precise location becomes the focus of the police investigation. If she had help getting into her last scene, her killer was clearly one of the party guests, and Colin Nicolson, who was dressed as the poisoner William Palmer, is convinced that that killer was Roger, whom he caught wiping the fingerprints off the chair in question. Unmoved by Roger’s desire to protect someone else, Nicolson assures him that he’d never turn Roger in, since he surely had his reasons. As Roger embarks on a quest to identify the real murderer to spare himself further genteel embarrassment at Nicolson’s hands, readers privy to a fateful encounter of Ena’s that Roger missed will have their own very definite ideas who the culprit is.
Berkeley makes his highly artificial plot consistently lively, amusing, and treasurable.Pub Date: Jan. 17, 2023
ISBN: 978-1-72826-757-9
Page Count: 288
Publisher: Poisoned Pen
Review Posted Online: Nov. 15, 2022
Kirkus Reviews Issue: Dec. 1, 2022
BOOK REVIEW
BOOK REVIEW
Intrigue, murder, and vengeance make for a darkly enjoyable read.
A woman’s life takes a stunning turn and a wall comes tumbling down in this tense Cold War spy drama.
In Berlin in 1989, the wall is about to crumble, and Anne Simpson’s husband, Stefan Koehler, goes missing. She is a translator working with refugees from the communist bloc, and he is a piano tuner who travels around Europe with orchestras. Or so he claims. German intelligence service the BND and America’s CIA bring her in for questioning, wrongly thinking she’s protecting him. Soon she begins to learn more about Stefan, whom she had met in the Netherlands a few years ago. She realizes he’s a “gregarious musician with easy charm who collected friends like a beachcomber collects shells, keeping a few, discarding most.” Police find his wallet in a canal and his prized zither in nearby bushes but not his body. Has he been murdered? What’s going on? And why does the BND care? If Stefan is alive, he’s in deep trouble, because he’s believed to be working for the Stasi. She’s told “the dead have a way of showing up. It is only the living who hide.” And she’s quite believable when she wonders, “Can you grieve for someone who betrayed you?” Smart and observant, she notes that the reaction by one of her interrogators is “as false as his toupee. Obvious, uncalled for, and easily put on.” Lurking behind the scenes is the Matchmaker, who specializes in finding women—“American. Divorced. Unhappy,” and possibly having access to Western secrets—who will fall for one of his Romeos. Anne is the perfect fit. “The matchmaker turned love into tradecraft,” a CIA agent tells her. But espionage is an amoral business where duty trumps decency, and “deploring the morality of spies is like deploring violence in boxers.” It’s a sentiment John le Carré would have endorsed, but Anne may have the final word.
Intrigue, murder, and vengeance make for a darkly enjoyable read.Pub Date: Feb. 1, 2022
ISBN: 978-1-64313-865-7
Page Count: 352
Publisher: Pegasus Crime
Review Posted Online: Jan. 11, 2022
Kirkus Reviews Issue: Feb. 1, 2022
Demands a careful reading and knowledge of the Victorian lady detective’s history.
A mystery that unwinds in reverse adds new twists to Thomas’ Sherlock Holmes–inspired series.
The new Charlotte Holmes novel continues the tense chess game that the gender-flipped Sherlock is playing with Moriarty and an incarcerated acquaintance turned villain. The events are narrated as a series of flashbacks interspersed with an interrogation in which Charlotte is under suspicion of murder. While her friend Inspector Treadles nervously observes, a senior policeman grills the unflappable detective about her recent movements. Even as she gives him a bland account of why she’s crisscrossed the English Channel in recent weeks, readers get drips of information about what she and her family and friends have been up to, all building to a reveal. Two other seemingly unrelated mystery subplots enter the picture, but it’s evident that new events and characters are connected to familiar ones from the past. With allusions to previous novels in the Lady Sherlock series and hat tips to Arthur Conan Doyle’s “The Final Problem” and the Guy Ritchie movie Sherlock Holmes: A Game of Shadows, the plot can be hard to follow, especially for new readers. The consistently well-drawn characters serve as an anchor, and the occasional glimpse of Charlotte’s love for her family and her lover, Lord Ingram Ashburton, adds a needed touch of warmth to the clever but clinical jigsaw structure of the mystery.
Demands a careful reading and knowledge of the Victorian lady detective’s history.Pub Date: June 25, 2024
ISBN: 9780593640432
Page Count: 352
Publisher: Berkley
Review Posted Online: April 20, 2024
Kirkus Reviews Issue: May 15, 2024
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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