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THE PUSHCART BOOK OF ESSAYS

Fine bedside reading, and a better-than-average textbook for composition students.

A rewarding collection from the annual Pushcart Prize anthology series, now numbering 25 volumes.

Founded by editor Bill Henderson in the mid-1970s, the Pushcart Prize honored what he considered to be the best offerings from the country’s small presses and literary journals. The period, writes volume editor Brandt, corresponds with “a remarkable rebirth of both the art and the prestige of the essay,” and this gathering speaks very ably indeed to the power of a well-crafted piece of nonfiction to speak volumes in a short space. It begins, strangely, with one of the few clunkers, a diffuse piece on street life on the Mexican border that is long on idiom and local color but short on point; from there, however, the book quickly gathers steam. Brandt’s selections are nicely balanced, mixing work by men and women, by academics and nonacademics, by established and beginning writers; many of the contributions, including both personal and critical pieces, have gone on to appear in other anthologies and collections of the individual authors’ works. Among the many highlights are Leslie Fiedler’s nicely peevish essay “Literature and Lucre,” about just that; Clark Blaise’s longish reflection on growing up Canadian, “Memories of Unhousement”; Donald Hall’s widely cited manifesto “Literature and Ambition,” Joyce Carol Oates’s thoughtful “Notes on Failure”; and Lewis Hyde’s remarkable “Two Accidents,” about the role of chance in art and life. Some of the best work, however, comes from writers who are largely unknown outside the small-press orbit: Irma Wallem’s touching essay “Sex,” set in a nursing home; Thomas Lynch’s “Jessica, the Hound, and the Basket Trade,” which gives readers an insider’s view of the mortician’s lot; and Lars Eighner’s spirited, punkish “On Dumpster Diving,” which reveals the treasures to be found in a grocery store’s trash.

Fine bedside reading, and a better-than-average textbook for composition students.

Pub Date: Oct. 1, 2001

ISBN: 1-888889-24-1

Page Count: 459

Publisher: Pushcart

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 1, 2001

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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