by Anthony Burgess ‧ RELEASE DATE: Aug. 20, 1993
Burgess has demonstrated his passion for language in his fiction, his essays and reviews, and his multivolumed autobiography (You've Had Your Time, 1991, etc.)—but now, at age 76, he explains it, sharing in this personable yet encyclopedic survey his intimate and extensive knowledge of the "miracle" of it. The author—whose pedagogic career began with teaching illiterate WW I British soldiers to read—argues convincingly that we should all study linguistics, an often dry field that he animates here through rich imagination and vivid style. The title, from a Yeats poem, suggests an ironic dimension, but the material, far from tongue-in-cheek, includes a history of linguistics from Saussure to Chomsky; a consideration of the parts of speech and grammar in several languages; as well as discussions of the physiology of speech ("the buzzes, hisses, and bangs"), the history of the alphabet, and peculiarities of spelling and punctuation. Burgess pauses to consider meaning, context, semantics, and the value of learning many languages, ancient as well as modern, before moving on to an epic survey of families of languages and how they developed and are related, as well as a history of English itself, which he finds "volatile," "hospitable," and "maternal." He introduces Russian and Japanese, savoring the prospect of learning them, and tours English dialects—from the "Received Thespian" of Shakespeare to dialects of America, Australia, South Africa, Scotland, and "closed" groups (feminists, blacks, gays). Slang and euphemism, the ambiguities and instability of language, and the consensual nature of dictionary definitions also come under his gaze. If the role of literature, as Burgess says, is to challenge the commonplace uses of words—to use language inventively and to exploit it aesthetically—then this remarkable book is a rare contribution to the literature of language: a love affair explained and shared.
Pub Date: Aug. 20, 1993
ISBN: 0-688-11935-2
Page Count: 416
Publisher: Morrow/HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 1, 1993
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by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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by E.T.A. Hoffmann ; adapted by Natalie Andrewson ; illustrated by Natalie Andrewson
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by E.T.A. Hoffmann & illustrated by Julie Paschkis
by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955
An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.
Pub Date: Feb. 23, 1955
ISBN: 0670717797
Page Count: -
Publisher: Viking
Review Posted Online: Oct. 25, 2011
Kirkus Reviews Issue: Feb. 1, 1955
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developed by Ludwig Bemelmans ; illustrated by Steven Salerno
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by Ludwig Bemelmans ; illustrated by Steven Salerno
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