by Anthony Burgess ‧ RELEASE DATE: March 31, 1986
This collection of nearly 200 short reviews and literary pieces—probably necessarily uneven in quality given the publish-in-haste nature of his book reviewing—demonstrates Burgess' broad learning and also his habitual critical highhandedness. The university don that Burgess—foiled by WW II—never became lurks close beneath the anything-for-a-buck man of letters and learned journalist of his current persona, ever ready to snap at bright objects—or dullards. Burgess includes among the dullards all feminists ("Grants from a Sexist Pig" heads the volume), most American scholars (Yankophobe Burgess finds Edmund Wilson's Anglophobia incomprehensible), and Daniel Defoe (whose Robinson Crusoe Burgess compares—outrageously—to P.C. Wren's Beau Geste). Burgess does like James Thurber, Vladimir Nabokov, and Princess Grace of Monaco—although his sketches of the first two never mention their celebrated crochetiness; but perhaps this master of the crochet never noticed a certain peevishness. If occasionally willful, these essays are also occasionally memorable in their epigrammatic succinctness. Another asset is Burgess' lack of prudery. He writes of Norman Mailer's Ancient Evenings: "Give it a few years. . .it may well appear as one of the great works of contemporary mythopoesis. It certainly gives us a new look up the anus." As Burgess says himself in reviewing a volume of S.J. Perelman's short pieces, this is not the kind of book to go through in one sitting—the repetitions and tics become too obvious. (Burgess notes Perelman's repetition of the odd word "lagniappe"; he is himself addicted to the equally recondite "onomastic.") Still, since the literary turf of the educated reader—judgments about the comparative merits of contemporary writers, or the probable duration of literary reputations—is now almost ignored both by the increasingly theoretical academic journals and the increasingly illiterate schlock media, intelligent and impassioned practical critics like Burgess perform a real service. Forgive him his obtuse remarks.
Pub Date: March 31, 1986
ISBN: 0070089779
Page Count: 604
Publisher: McGraw-Hill
Review Posted Online: May 15, 2012
Kirkus Reviews Issue: Feb. 15, 1986
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by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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by E.T.A. Hoffmann ; adapted by Natalie Andrewson ; illustrated by Natalie Andrewson
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by E.T.A. Hoffmann & illustrated by Julie Paschkis
by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955
An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.
Pub Date: Feb. 23, 1955
ISBN: 0670717797
Page Count: -
Publisher: Viking
Review Posted Online: Oct. 25, 2011
Kirkus Reviews Issue: Feb. 1, 1955
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developed by Ludwig Bemelmans ; illustrated by Steven Salerno
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by Ludwig Bemelmans ; illustrated by Steven Salerno
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