An offbeat and refreshingly different cybercrime mystery.
In DiMaria’s debut SF novel, a nanotech-implant corporation faces the possibility of frightening, potentially fatal hacker attacks.
In the future metropolis of New Lucien, the mighty Goaldened corporation was formed by four college friends. They perfected implantable nanotechnology known as “bumps” that aim to alleviate such things as poor vision and geriatric decline, among other things, and generally enhance physical performance. Some protesters complain that such enhancements are degrading humanity, and some resist when the government makes some bumps mandatory. Still, the business prospers. Asymta Tik, a social media influencer and the daughter of one of Goaldened’s founders in the public face of the company, and her body holds the latest and best biotech. But behind the scenes, other Goaldened researchers are suffering from serious, strokelike symptoms. The company leadership can’t ignore the possibility that a malevolent group may be hacking into the tech and targeting top scientists. Even Asymta suffers from cryptic, anomalous thoughts, apparently beamed in from elsewhere (“come to the water, come to the sea, we are onto the trees—the copse are on their way”). Asymta pursues a love affair with co-worker Sydney, who’s also descended from Goaldened’s hierarchy and in danger himself. What is the nature of the conspiracy and who are the attackers? There are all the makings here for a cyberpunk potboiler, but DiMaria manages to evoke a world of tomorrow while avoiding William Gibson–style clichés involving virtual reality plug-ins, neon-noir urban environments, sinister multinationals, or excessive violence. However, it’s hard to tell if this book’s tone is meant to be mildly comical as, for instance, a very old school police detective with zero technological savvy bumbles through a feckless investigation. Until fairly close to the finale, the material is also rather low on thrills. However, it still manages to feel like a modest breath of fresh air in a subgenre that too often feels like reboots of the same operating system.
An offbeat and refreshingly different cybercrime mystery.Pub Date: Nov. 3, 2020
ISBN: 979-8-55-843574-0
Page Count: 332
Publisher: Self
Review Posted Online: July 22, 2021
Review Program: Kirkus Indie
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
With captivating dialogue, angst-y characters, and a couple of steamy sex scenes, Hoover has done it again.
After being released from prison, a young woman tries to reconnect with her 5-year-old daughter despite having killed the girl’s father.
Kenna didn’t even know she was pregnant until after she was sent to prison for murdering her boyfriend, Scotty. When her baby girl, Diem, was born, she was forced to give custody to Scotty’s parents. Now that she’s been released, Kenna is intent on getting to know her daughter, but Scotty’s parents won’t give her a chance to tell them what really happened the night their son died. Instead, they file a restraining order preventing Kenna from so much as introducing herself to Diem. Handsome, self-assured Ledger, who was Scotty’s best friend, is another key adult in Diem’s life. He’s helping her grandparents raise her, and he too blames Kenna for Scotty’s death. Even so, there’s something about her that haunts him. Kenna feels the pull, too, and seems to be seeking Ledger out despite his judgmental behavior. As Ledger gets to know Kenna and acknowledges his attraction to her, he begins to wonder if maybe he and Scotty’s parents have judged her unfairly. Even so, Ledger is afraid that if he surrenders to his feelings, Scotty’s parents will kick him out of Diem’s life. As Kenna and Ledger continue to mourn for Scotty, they also grieve the future they cannot have with each other. Told alternatively from Kenna’s and Ledger’s perspectives, the story explores the myriad ways in which snap judgments based on partial information can derail people’s lives. Built on a foundation of death and grief, this story has an undercurrent of sadness. As usual, however, the author has created compelling characters who are magnetic and sympathetic enough to pull readers in. In addition to grief, the novel also deftly explores complex issues such as guilt, self-doubt, redemption, and forgiveness.
With captivating dialogue, angst-y characters, and a couple of steamy sex scenes, Hoover has done it again.Pub Date: Jan. 18, 2022
ISBN: 978-1-5420-2560-7
Page Count: 335
Publisher: Montlake Romance
Review Posted Online: Oct. 12, 2021
Kirkus Reviews Issue: Nov. 1, 2021
SEEN & HEARD
BOOK TO SCREEN
BOOK TO SCREEN
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