This terrorist tale reads like a thrilling but extremely violent action movie, with some intriguing twists in plot and...
A debut novel offers the broad scope of a Hollywood blockbuster, with two formidable, high-tech groups at war.
In the very first scene of this book, the titular hero is beaten and maimed, calling into question how the rest of this tale could possibly play out. Lt. Othello Greene, the leader of America’s top special-ops team, has been captured by a high-tech terrorist group calling itself the Global Supremacy Federation, headed by a deeply evil man named Genesis. Greene, forced to kill a comrade for the sake of mercy, is tossed into a pit of hyenas, his torture broadcast to millions worldwide as a demonstration of power. But a renegade band called The Disciples of Khidar, a Muslim group that vows to help the oppressed, saves him. The Disciples are also high-tech, and use that technology to heal victims of war. They have tracked Greene and believe him to be sent by Allah for a greater purpose. As the GSF destroys more of the globe, killing world leaders and ravaging U.S. cities, a man named Khan tends to Greene and converts him to Islam by showing him his former religion, Christianity, is based on lies. U.S. President Heather Cotton tries to defy the GSF, but it quickly becomes clear the group has outthought the West and its allies and possesses superior technology; the world remains bent to the terrorists’ will until Greene can rejoin the fray. Baltimore tells a parallel story every few chapters of Greene’s high school years as an academic and sports star, and his relationship with his mother and his best friend, Kojo. The tales are on a global and local scale, and both lines benefit from that strategy. There are some fantastic twists involving supporting characters, especially in relation to a subplot about a mole in Cotton’s cabinet. But the trajectory of Greene’s story in both tracks can be a bit predictable at times. He wins the big game and The Disciples convert him to Islam fairly handily. The book, close to 800 pages, could have been streamlined. Baltimore has a real talent for writing an action scene and casting good and evil in bold relief in his characterization. But this is not a novel for the faint of heart; the violence can be intense. To further prove how sinister Genesis is, the narrative delivers a graphic depiction of child rape, which he orders to intimidate an ally who betrays him.
This terrorist tale reads like a thrilling but extremely violent action movie, with some intriguing twists in plot and philosophy.Pub Date: July 4, 2016
ISBN: 978-0-9971524-0-1
Page Count: 780
Publisher: Jourstarr Quality Publications
Review Posted Online: Nov. 25, 2016
Review Program: Kirkus Indie
BOOK REVIEW
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.
Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind.
The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility.
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.Pub Date: July 1, 1993
ISBN: 0-06-250217-4
Page Count: 192
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1993
SEEN & HEARD
SEEN & HEARD
BOOK TO SCREEN
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
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