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FOREVER AND A DAY

Crisp, unpretentious, and bound to please the legion of fans for whom a world of Bond is never enough.

Horowitz celebrates his return to the James Bond franchise (Trigger Mortis, 2015) by providing the story of 007’s very first adventure in 1950.

Five years after World War II has ended, Bond slips into the Double-O ranks by committing his first duly licensed execution. Then, on the orders of M, he prepares to go after the people who made his promotion possible by dispatching the first 007. The assignment takes him to Marseilles, where his nameless predecessor was shot three times. Was the killer Joanne Brochet, aka Sixtine, the special ops–trained freelance agent who makes a living selling information to the highest bidder? Or was it Irwin Wolfe, the wealthy, aging American businessman Sixtine’s taken up with? Or was he killed on the orders of scale-busting Corsican ganglord Jean-Paul Scipio, whose latest endeavors have made him worth his weight in heroin? Sixtine and Wolfe tell plausible stories about their presence in Marseilles, and Scipio does Bond the favor of not killing him on their first meeting. Setting his cap on getting closer (much closer) to Sixtine, Bond soon has her warbling her darkest secrets into his ear. He’s made enough waves to attract unwanted attention, though, and soon enough he’s hoping he’ll get bailed out by CIA agent Reade Griffith. Horowitz unfolds this tale in prose as knowingly workmanlike as Ian Fleming’s, and readers hungry for details of Bond’s origin story will find out why he demands his martinis shaken, not stirred. But although he conscientiously hits all the obligatory notes, taking care not to outshine his master, there’s nothing here that would make the unwary suspect how fiendishly inventive Horowitz can be when he’s not laboring in Bond’s shadow (The Word Is Murder, 2018, etc.).

Crisp, unpretentious, and bound to please the legion of fans for whom a world of Bond is never enough.

Pub Date: Nov. 6, 2018

ISBN: 978-0-06-287280-7

Page Count: 304

Publisher: Harper/HarperCollins

Review Posted Online: Aug. 20, 2018

Kirkus Reviews Issue: Sept. 1, 2018

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A CONSPIRACY OF BONES

Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.

Another sweltering month in Charlotte, another boatload of mysteries past and present for overworked, overstressed forensic anthropologist Temperance Brennan.

A week after the night she chases but fails to catch a mysterious trespasser outside her town house, some unknown party texts Tempe four images of a corpse that looks as if it’s been chewed by wild hogs, because it has been. Showboat Medical Examiner Margot Heavner makes it clear that, breaking with her department’s earlier practice (The Bone Collection, 2016, etc.), she has no intention of calling in Tempe as a consultant and promptly identifies the faceless body herself as that of a young Asian man. Nettled by several errors in Heavner’s analysis, and even more by her willingness to share the gory details at a press conference, Tempe launches her own investigation, which is not so much off the books as against the books. Heavner isn’t exactly mollified when Tempe, aided by retired police detective Skinny Slidell and a host of experts, puts a name to the dead man. But the hints of other crimes Tempe’s identification uncovers, particularly crimes against children, spur her on to redouble her efforts despite the new M.E.’s splenetic outbursts. Before he died, it seems, Felix Vodyanov was linked to a passenger ferry that sank in 1994, an even earlier U.S. government project to research biological agents that could control human behavior, the hinky spiritual retreat Sparkling Waters, the dark web site DeepUnder, and the disappearances of at least four schoolchildren, two of whom have also turned up dead. And why on earth was Vodyanov carrying Tempe’s own contact information? The mounting evidence of ever more and ever worse skulduggery will pull Tempe deeper and deeper down what even she sees as a rabbit hole before she confronts a ringleader implicated in “Drugs. Fraud. Breaking and entering. Arson. Kidnapping. How does attempted murder sound?”

Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.

Pub Date: March 17, 2020

ISBN: 978-1-9821-3888-2

Page Count: 352

Publisher: Scribner

Review Posted Online: Dec. 22, 2019

Kirkus Reviews Issue: Jan. 15, 2020

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PRETTY GIRLS

Slaughter (Cop Town, 2014, etc.) is so uncompromising in following her blood trails to the darkest places imaginable that...

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  • Kirkus Reviews'
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Twenty-four years after a traumatic disappearance tore a Georgia family apart, Slaughter’s scorching stand-alone picks them up and shreds them all over again.

The Carrolls have never been the same since 19-year-old Julia vanished. After years of fruitlessly pestering the police, her veterinarian father, Sam, killed himself; her librarian mother, Helen, still keeps the girl's bedroom untouched, just in case. Julia’s sisters have been equally scarred. Lydia Delgado has sold herself for drugs countless times, though she’s been clean for years now; Claire Scott has just been paroled after knee-capping her tennis partner for a thoughtless remark. The evening that Claire’s ankle bracelet comes off, her architect husband, Paul, is callously murdered before her eyes and, without a moment's letup, she stumbles on a mountainous cache of snuff porn. Paul’s business partner, Adam Quinn, demands information from Claire and threatens her with dire consequences if she doesn’t deliver. The Dunwoody police prove as ineffectual as ever. FBI agent Fred Nolan is more suavely menacing than helpful. So Lydia and Claire, who’ve grown so far apart that they’re virtual strangers, are unwillingly thrown back on each other for help. Once she’s plunged you into this maelstrom, Slaughter shreds your own nerves along with those of the sisters, not simply by a parade of gruesome revelations—though she supplies them in abundance—but by peeling back layer after layer from beloved family members Claire and Lydia thought they knew. The results are harrowing.

Slaughter (Cop Town, 2014, etc.) is so uncompromising in following her blood trails to the darkest places imaginable that she makes most of her high-wire competition look pallid, formulaic, or just plain fake.

Pub Date: Sept. 29, 2015

ISBN: 978-0-06-242905-6

Page Count: 400

Publisher: Morrow/HarperCollins

Review Posted Online: June 30, 2015

Kirkus Reviews Issue: July 15, 2015

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