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COMPANY MAN

THE RISE AND FALL OF CORPORATE LIFE

Sampson (The Midas Touch, 1990, etc.) draws on his experience as a student of the international business scene, and on a wealth of unconventional sources, to trace the evolution/revolution of life in great corporations, from the British East India Company through Microsoft. In detailing the frequently convulsive transition of family firms and state-franchised concerns into modern corporations, the author is as apt to refer to the arts, from Buddenbrooks to Working Girl, as to cite the private-sector record. By the middle of the 20th century, Sampson observes, organization men and their female secretariats appeared to have become socioeconomic fixtures not only in America but also throughout Europe and Japan. As he makes clear, however, those who banked on stability were in for a series of shocks. Raiders imposed harsh commercial discipline on US and UK corpocracies not performing up to their perceived potential; Asian rivals were helping themselves to once unassailable domestic markets; computers began to displace hosts of middle managers; and career women mounted a determined effort to crack the glass ceiling that keeps them from upper-echelon posts. As companies everywhere moved to make themselves more cost-competitive, job security evaporated at such onetime havens as GE, GM, Imperial Chemical, IBM, and even Japan's Toyota. Concurrently, advances in telecommunications allowed increasing numbers of employees to work from their cars or homes (in some sense, a return to yesteryear's cottage industries). While the company's surviving men and women were obliged to become more productive, Sampson points out, their executive masters have been ever more handsomely rewarded, even when they fail. Conceding the story is far from over, he predicts accountability will be a central issue in future debates on capitalism's contribution to the common weal. A quickstep but generally rewarding tour of the West's assembly lines, boardrooms, offices, and service centers that suggests, among other things, that history indeed repeats itself.

Pub Date: Oct. 1, 1995

ISBN: 0-8129-2631-5

Page Count: 320

Publisher: Times/Henry Holt

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Aug. 1, 1995

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A PEOPLE'S HISTORY OF THE UNITED STATES

For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.

Pub Date: Jan. 1, 1979

ISBN: 0061965588

Page Count: 772

Publisher: Harper & Row

Review Posted Online: May 26, 2012

Kirkus Reviews Issue: Jan. 1, 1979

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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