by Antoine Volodine translated by Jeffrey Zuckerman ‧ RELEASE DATE: Feb. 7, 2017
A landmark of modern dystopianism, portending a time to come that no one would want to live in.
French “post-exoticist” Volodine (Bardo or Not Bardo, 2016, etc.) returns with a dark view of the near future, where science fiction meets a certain kind of horror.
It’s fitting that in Volodine’s latest, a corpse should figure as one of the first characters we meet—well, not quite a corpse, not yet, though 30-year-old Vassilissa Marachvili is passing on quickly enough that Volodine refers to her as “the dying woman.” Perhaps, as the post-Heideggerians would say, she is always already dead, but what does it matter? In the remote Siberian outpost that is the setting for Volodine’s yarn, a kind of Chernobyl on steroids in a post-apocalyptic time, following the fall of the Second Soviet Union in a nuclear shootout, the living envy the dead. But, that said, there’s not much distinction between the categories in this hell, a place of “machines constantly humming. Fuel rods regularly sizzling as they tried to get several degrees hotter….The radioactivity at its peak puffing almost silently.” Overseeing this domain is Solovyei, a kind of Col. Kurtz for our time (think Marlon Brando with even more of a glow), who certainly has a godlike complex and maybe even some godlike powers and who does what he can for Vassilissa: “She’s gone into a dark tunnel. She’s neither dead nor alive,” he explains, helpfully. That’s one of his easier-to-comprehend statements; as our hero, Kronauer, reflects, Solovyei is a master of conjuring “images of shadowy eternity and worlds with indecipherable rules of existence.” Indeed. There can be no Kurtz without a Marlow—or a Capt. Willard trying to terminate his command, though deposing a man half dead is easier said than done. Volodine himself is a master at painting grim, infernal scenarios that seem fit for a neoarctic retelling of Mad Max, and with just the right atmospheric touches: can there be, after all, a Russian story without its wolves?
A landmark of modern dystopianism, portending a time to come that no one would want to live in.Pub Date: Feb. 7, 2017
ISBN: 978-1-940953-52-6
Page Count: 468
Publisher: Open Letter
Review Posted Online: Dec. 14, 2016
Kirkus Reviews Issue: Jan. 1, 2017
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by Antoine Volodine ; translated by Alyson Waters
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by Max Brooks ‧ RELEASE DATE: June 16, 2020
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
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New York Times Bestseller
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
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BOOK TO SCREEN
by Pierce Brown ‧ RELEASE DATE: Jan. 28, 2014
A fine novel for those who like to immerse themselves in alternative worlds.
Set in the future and reminiscent of The Hunger Games and Game of Thrones, this novel dramatizes a story of vengeance, warfare and the quest for power.
In the beginning, Darrow, the narrator, works in the mines on Mars, a life of drudgery and subservience. He’s a member of the Reds, an “inferior” class, though he’s happily married to Eo, an incipient rebel who wants to overthrow the existing social order, especially the Golds, who treat the lower-ranking orders cruelly. When Eo leads him to a mildly rebellious act, she’s caught and executed, and Darrow decides to exact vengeance on the perpetrators of this outrage. He’s recruited by a rebel cell and “becomes” a Gold by having painful surgery—he has golden wings grafted on his back—and taking an exam to launch himself into the academy that educates the ruling elite. Although he successfully infiltrates the Golds, he finds the social order is a cruel and confusing mash-up of deception and intrigue. Eventually, he leads one of the “houses” in war games that are all too real and becomes a guerrilla warrior leading a ragtag band of rebelliously minded men and women. Although it takes a while, the reader eventually gets used to the specialized vocabulary of this world, where warriors shoot “pulseFists” and are protected by “recoilArmor.” As with many similar worlds, the warrior culture depicted here has a primitive, even classical, feel to it, especially since the warriors sport names such as Augustus, Cassius, Apollo and Mercury.
A fine novel for those who like to immerse themselves in alternative worlds.Pub Date: Jan. 28, 2014
ISBN: 978-0-345-53978-6
Page Count: 400
Publisher: Del Rey/Ballantine
Review Posted Online: Nov. 2, 2013
Kirkus Reviews Issue: Nov. 15, 2013
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