by Antoinette Portis ; illustrated by Antoinette Portis ‧ RELEASE DATE: June 26, 2018
Gurm’s company, but threep doesn’t have to be a crowd when it comes to starting school and making new friends.
Omek and Yelfred have weathered friendship difficulties before (Best Frints in the Whole Universe, 2016), but can their relationship survive Yelfred’s picking Q-B as his new best frint?
Skrool on Boborp is similar to school on Earth, with rules, learning, and bloox to read, though Portis’ pictures and text hilariously contradict each other. “When the bell BLANGS the stroodents sit quietly.” In the picture, they bite and kick, and across the gutter, they yell as they “learn to listen when their skreecher spleeks.” At recess, “childrinx make new frints,” and this is where the trouble starts for poor Omek, whose best frint, Yelfred, has a new best frint, Q-B. Omek’s frown deepens and their shoulders and head sag ever more as Yelfred and Q-B grow close and leave them out of their fun. But some lunch sharing (“Spewd flight!”) gives Omek the opening he needs. Portis’ illustrations, done with pencil, charcoal, and a Cintiq drawing tablet, once again use a brilliant palette and digital textures to great effect, bringing to vivid life this alien world. The characters are diverse in color, shape, size, and numbers of eyes, tentacles, and appendages. Endpapers add to the fun (and help decipher the Boborpian language) with a glossary of terms, the numbers from one to 10, and directions for playing eye ball in the peedle pit.
Gurm’s company, but threep doesn’t have to be a crowd when it comes to starting school and making new friends. (Picture book. 4-8)Pub Date: June 26, 2018
ISBN: 978-1-62672-871-4
Page Count: 40
Publisher: Neal Porter/Roaring Brook
Review Posted Online: May 13, 2018
Kirkus Reviews Issue: June 1, 2018
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by Antoinette Portis ; illustrated by Antoinette Portis
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by Tish Rabe ; illustrated by Laura Hughes ‧ RELEASE DATE: June 21, 2016
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
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by Tish Rabe ; illustrated by Sarah Jennings
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by Tish Rabe ; illustrated by Dan Yaccarino
by Jonathan Stutzman ; illustrated by Jay Fleck ‧ RELEASE DATE: March 5, 2019
Wins for compassion and for the refusal to let physical limitations hold one back.
With such short arms, how can Tiny T. Rex give a sad friend a hug?
Fleck goes for cute in the simple, minimally detailed illustrations, drawing the diminutive theropod with a chubby turquoise body and little nubs for limbs under a massive, squared-off head. Impelled by the sight of stegosaurian buddy Pointy looking glum, little Tiny sets out to attempt the seemingly impossible, a comforting hug. Having made the rounds seeking advice—the dino’s pea-green dad recommends math; purple, New Age aunt offers cucumber juice (“That is disgusting”); red mom tells him that it’s OK not to be able to hug (“You are tiny, but your heart is big!”), and blue and yellow older sibs suggest practice—Tiny takes up the last as the most immediately useful notion. Unfortunately, the “tree” the little reptile tries to hug turns out to be a pterodactyl’s leg. “Now I am falling,” Tiny notes in the consistently self-referential narrative. “I should not have let go.” Fortunately, Tiny lands on Pointy’s head, and the proclamation that though Rexes’ hugs may be tiny, “I will do my very best because you are my very best friend” proves just the mood-lightening ticket. “Thank you, Tiny. That was the biggest hug ever.” Young audiences always find the “clueless grown-ups” trope a knee-slapper, the overall tone never turns preachy, and Tiny’s instinctive kindness definitely puts him at (gentle) odds with the dinky dino star of Bob Shea’s Dinosaur Vs. series.
Wins for compassion and for the refusal to let physical limitations hold one back. (Picture book. 5-7)Pub Date: March 5, 2019
ISBN: 978-1-4521-7033-6
Page Count: 48
Publisher: Chronicle Books
Review Posted Online: Nov. 11, 2018
Kirkus Reviews Issue: Dec. 1, 2018
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by Jonathan Stutzman ; illustrated by Heather Fox
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by Jonathan Stutzman ; illustrated by Jay Fleck
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by Jonathan Stutzman ; illustrated by Elizabeth Lilly
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