An interesting but finally disappointing look at a priest grappling with women and guilt.
In 1970s New York, a young priest agonizes over his surrender to temptations of the flesh.
Monda (Do You Believe? 2007, etc.) is an Italian writer who lives in New York City. A few references—building the World Trade Center towers, Mayor Abraham Beame, Studio 54, the Foreman-Ali fight in Zaire—give a glancing idea of the city and the time when this book is set. The story concerns a brief period in the life of the narrator, a recently ordained Catholic priest who has embarked, never mind the vow of chastity, on an affair. He also deals with parish business, hears confession, and delivers homilies. A subplot involving an anonymous accusatory letter tries to add suspense, as does the priest’s discovering a lump on his lover’s breast. The slim novel often toggles between his trysts and the post-coital tristesse of his solitary inquisitions into why unshaken faith coexists with unslakable appetites. Monda’s treatment of a morally and theologically complex area, however sincerely expressed by his priest, is somewhat scattershot and fraught with overworked pathos. The cleric’s guilt-ridden internal keening becomes a sort of liturgy he repeatedly performs in the sanctuary of his tormented mind, a dark Mass of the soul served with a lot of whine. It is possible, though, to admire the economy of conscience with which he melds the sins of lying, lust, and larceny when he says he is going out to see his mother before going off to buy his lover something with money stolen from the collection plate.
An interesting but finally disappointing look at a priest grappling with women and guilt.Pub Date: May 22, 2018
ISBN: 978-0-385-54294-4
Page Count: 192
Publisher: Nan A. Talese
Review Posted Online: March 4, 2018
Kirkus Reviews Issue: March 15, 2018
These letters from some important executive Down Below, to one of the junior devils here on earth, whose job is to corrupt mortals, are witty and written in a breezy style seldom found in religious literature. The author quotes Luther, who said: "The best way to drive out the devil, if he will not yield to texts of Scripture, is to jeer and flout him, for he cannot bear scorn." This the author does most successfully, for by presenting some of our modern and not-so-modern beliefs as emanating from the devil's headquarters, he succeeds in making his reader feel like an ass for ever having believed in such ideas. This kind of presentation gives the author a tremendous advantage over the reader, however, for the more timid reader may feel a sense of guilt after putting down this book. It is a clever book, and for the clever reader, rather than the too-earnest soul.
Pub Date: Jan. 1, 1942
ISBN: 0060652934
Page Count: 53
Publisher: Macmillan
Review Posted Online: Oct. 17, 2011
Kirkus Reviews Issue: June 15, 1943
Inspired by disclosures of a real-life Florida reform school’s long-standing corruption and abusive practices, Whitehead’s...
The acclaimed author of The Underground Railroad (2016) follows up with a leaner, meaner saga of Deep South captivity set in the mid-20th century and fraught with horrors more chilling for being based on true-life atrocities.
Elwood Curtis is a law-abiding, teenage paragon of rectitude, an avid reader of encyclopedias and after-school worker diligently overcoming hardships that come from being abandoned by his parents and growing up black and poor in segregated Tallahassee, Florida. It’s the early 1960s, and Elwood can feel changes coming every time he listens to an LP of his hero Martin Luther King Jr. sermonizing about breaking down racial barriers. But while hitchhiking to his first day of classes at a nearby black college, Elwood accepts a ride in what turns out to be a stolen car and is sentenced to the Nickel Academy, a juvenile reformatory that looks somewhat like the campus he’d almost attended but turns out to be a monstrously racist institution whose students, white and black alike, are brutally beaten, sexually abused, and used by the school’s two-faced officials to steal food and supplies. At first, Elwood thinks he can work his way past the arbitrary punishments and sadistic treatment (“I am stuck here, but I’ll make the best of it…and I’ll make it brief”). He befriends another black inmate, a street-wise kid he knows only as Turner, who has a different take on withstanding Nickel: “The key to in here is the same as surviving out there—you got to see how people act, and then you got to figure out how to get around them like an obstacle course.” And if you defy them, Turner warns, you’ll get taken “out back” and are never seen or heard from again. Both Elwood’s idealism and Turner’s cynicism entwine into an alliance that compels drastic action—and a shared destiny. There's something a tad more melodramatic in this book's conception (and resolution) than one expects from Whitehead, giving it a drugstore-paperback glossiness that enhances its blunt-edged impact.
Inspired by disclosures of a real-life Florida reform school’s long-standing corruption and abusive practices, Whitehead’s novel displays its author’s facility with violent imagery and his skill at weaving narrative strands into an ingenious if disquieting whole.Pub Date: July 16, 2019
ISBN: 978-0-385-53707-0
Page Count: 224
Publisher: Doubleday
Review Posted Online: Jan. 20, 2019
Kirkus Reviews Issue: Feb. 1, 2019
PERSPECTIVES
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SEEN & HEARD
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