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IN HER ABSENCE

A sly, supremely stylish entertainment.

A celebrated Spanish author (Sepharad, 2003, etc.) contemplates identity and desire in this smartly amusing novella.

Mario López is not an adventurous man. When he decided to leave the small town of his birth, he moved to the rather poky provincial capital of Jaén, rather than the bustling metropolis of Barcelona. He is a civil servant, not an artist. The only reckless thing he has ever done is fall in love with Blanca. Beautiful, cultured and spirited Blanca is completely out of Mario's league, and the only thing more shocking than his ridiculous proposal of marriage is her acceptance. Their union is far from perfect—Blanca wants many things that Mario has neither the fiscal nor the temperamental resources to give—but Mario remains passionately devoted to his wife until he decides that the woman sharing his home is not Blanca at all but, rather, an impostor. Ultimately incapable of believing that a woman like Blanca could ever be his, Mario convinces himself that she is not, that she has dumped him for another man and left a double in her place. Muñoz Molina's elegantly constructed existential comedy begins with Mario scrutinizing the minuscule mistakes of the false Blanca, and it ends with him surrendering to this woman who may be even more exciting than the original. It is ironic, then, that Blanca is the only character who emerges as real. She's unstable, yes, but authentically and reliably so. The artist-types who populate her romantic history are, on the other hand, spectacular shams, and her friends are outrageously—yet believably—pretentious. Mario, meanwhile, subsumes himself in his effort to keep Blanca happy. He pretends to love sushi and carpaccio. He feigns interest during excruciating conversations with his wife's friends. He uncomplainingly attends such cultural events as a contemporary opera at the “Center for New Theatrical Tendencies.” Ultimately, it is Mario who proves to be the biggest fake of all.

A sly, supremely stylish entertainment.

Pub Date: July 10, 2007

ISBN: 978-1-59051-253-1

Page Count: 144

Publisher: Other Press

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 2007

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THE LAST LETTER

A thoughtful and pensive tale with intelligent characters and a satisfying romance.

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A promise to his best friend leads an Army serviceman to a family in need and a chance at true love in this novel.

Beckett Gentry is surprised when his Army buddy Ryan MacKenzie gives him a letter from Ryan’s sister, Ella. Abandoned by his mother, Beckett grew up in a series of foster homes. He is wary of attachments until he reads Ella’s letter. A single mother, Ella lives with her twins, Maisie and Colt, at Solitude, the resort she operates in Telluride, Colorado. They begin a correspondence, although Beckett can only identify himself by his call sign, Chaos. After Ryan’s death during a mission, Beckett travels to Telluride as his friend had requested. He bonds with the twins while falling deeply in love with Ella. Reluctant to reveal details of Ryan’s death and risk causing her pain, Beckett declines to disclose to Ella that he is Chaos. Maisie needs treatment for neuroblastoma, and Beckett formally adopts the twins as a sign of his commitment to support Ella and her children. He and Ella pursue a romance, but when an insurance investigator questions the adoption, Beckett is faced with revealing the truth about the letters and Ryan’s death, risking losing the family he loves. Yarros’ (Wilder, 2016, etc.) novel is a deeply felt and emotionally nuanced contemporary romance bolstered by well-drawn characters and strong, confident storytelling. Beckett and Ella are sympathetic protagonists whose past experiences leave them cautious when it comes to love. Beckett never knew the security of a stable home life. Ella impulsively married her high school boyfriend, but the marriage ended when he discovered she was pregnant. The author is especially adept at developing the characters through subtle but significant details, like Beckett’s aversion to swearing. Beckett and Ella’s romance unfolds slowly in chapters that alternate between their first-person viewpoints. The letters they exchanged are pivotal to their connection, and almost every chapter opens with one. Yarros’ writing is crisp and sharp, with passages that are poetic without being florid. For example, in a letter to Beckett, Ella writes of motherhood: “But I’m not the center of their universe. I’m more like their gravity.” While the love story is the book’s focus, the subplot involving Maisie’s illness is equally well-developed, and the link between Beckett and the twins is heartfelt and sincere.

A thoughtful and pensive tale with intelligent characters and a satisfying romance.

Pub Date: Feb. 26, 2019

ISBN: 978-1-64063-533-3

Page Count: 432

Publisher: Entangled: Amara

Review Posted Online: Jan. 2, 2019

Kirkus Reviews Issue: Feb. 15, 2019

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LOVE AND OTHER WORDS

With frank language and patient plotting, this gangly teen crush grows into a confident adult love affair.

Eleven years ago, he broke her heart. But he doesn’t know why she never forgave him.

Toggling between past and present, two love stories unfold simultaneously. In the first, Macy Sorensen meets and falls in love with the boy next door, Elliot Petropoulos, in the closet of her dad’s vacation home, where they hide out to discuss their favorite books. In the second, Macy is working as a doctor and engaged to a single father, and she hasn’t spoken to Elliot since their breakup. But a chance encounter forces her to confront the truth: what happened to make Macy stop speaking to Elliot? Ultimately, they’re separated not by time or physical remoteness but by emotional distance—Elliot and Macy always kept their relationship casual because they went to different schools. And as a teen, Macy has more to worry about than which girl Elliot is taking to the prom. After losing her mother at a young age, Macy is navigating her teenage years without a female role model, relying on the time-stamped notes her mother left in her father’s care for guidance. In the present day, Macy’s father is dead as well. She throws herself into her work and rarely comes up for air, not even to plan her upcoming wedding. Since Macy is still living with her fiance while grappling with her feelings for Elliot, the flashbacks offer steamy moments, tender revelations, and sweetly awkward confessions while Macy makes peace with her past and decides her future.

With frank language and patient plotting, this gangly teen crush grows into a confident adult love affair.

Pub Date: April 10, 2018

ISBN: 978-1-5011-2801-1

Page Count: 416

Publisher: Gallery Books/Simon & Schuster

Review Posted Online: Jan. 22, 2018

Kirkus Reviews Issue: Feb. 1, 2018

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