Of necessity somewhat fragmentary. Still, another engagingly original work from one of Europe’s most interesting writers.
The impermanence and the frustrations of romantic love are evoked with sly wit and operatic brio in the versatile Italian author’s newly translated 2001 confection.
It’s an epistolary novel, whose major contents are 17 titled letters addressed to an unnamed woman (presumably the same one, possibly a generic ideal beloved), each expressing some variation of the plaintive declaration made by writer #17: “I’m waiting for you, even though we don’t wait for those who cannot return, because . . . we would have to be who we were before, and that is impossible.” Thus things that didn’t happen (a trip not made to Samarkand in “Books Never Written, Journeys Never Made”; an idyllic island vacation, for which she never showed up, in “A Ticket in the Middle of the Sea”) are as vivid and wrenching as things that seemingly did (a former medical student’s memories of his classmate, now a prominent hematologist, in “The Circulation of the Blood”; a theater impresario’s wistful recall of the perfect Norma featured in his production of Bellini’s beloved opera, in “Casta Diva”). The stories are set all over Europe, North Africa and beyond, as disappointed or guilty loves lament the geographical and temperamental distances that separate them from this protean, mischievously elusive Eternal Feminine figure. The best of the stories skillfully blend literary or artistic influences with painstakingly delineated emotions: notably, a summer spent in Provence without the lover whose absence is mocked by the lyrical idealism of the Provencal poets (“Forbidden Games”); and a muted confession from a musician who, having underestimated his lover’s commitment to humanitarian service, abandoned her for another life in Salonika (“What’s the Use of a Harp with Only One String?”). Finally, in the title letter, she addresses these “Dear Sirs,” “cutting the threads” which, they hopefully imagine, still binds her to each of them.
Of necessity somewhat fragmentary. Still, another engagingly original work from one of Europe’s most interesting writers.Pub Date: May 29, 2006
ISBN: 0-8112-1546-6
Page Count: 192
Publisher: New Directions
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 15, 2006
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
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