by Antony Beevor ‧ RELEASE DATE: Sept. 20, 2022
A definitive account.
The acclaimed British historian tackles the Russian civil war.
Despite current events, Russia is not the colossus that frightened other great powers during much of the 20th century. Although its revolution is no longer a scholarly obsession, Beevor, the winner of the Samuel Johnson and Wolfson prizes, among others, masterfully recounts the violent events that seemed to change everything. When Russia declared war on Germany in 1914, it fielded the identical titanic but shambling army defeated by Japan in 1905, overseen by the same autocratic but dimwitted Czar Nicholas II and a dysfunctional civil government. Sustained by grit and Allied aid, it held together for nearly three years despite catastrophic losses. However, by March 1917, increasing desertion, indiscipline, and violence against officers combined with widespread civilian suffering persuaded the still clueless czar to abdicate. Beevor’s account of what followed is both authoritative and disheartening. No one could correct Russia’s crumbling infrastructure. Hungry city dwellers blamed the new leaders, and crime and violence flourished. Their worst decision was to continue the war, which increased insubordination at the front and perhaps even more so behind the lines. Lenin arrived in April to command the small Bolshevik Party, which grew and ultimately seized power that October. Historians have long stopped portraying him as the good guy in contrast to Stalin and agree that he succeeded as all tyrants succeed: murderous ruthlessness, crushing rivals, and incessantly repeating promises that appealed to his supporters (“all power to the Soviets,” “peace to the peasants”) and then not keeping them. This is a vivid description of a revolution that featured as much mass murder as military action. Readers know the outcome, but the Red triumph was not universal. A few Baltic states won independence, and in the final and perhaps largest campaign, Polish forces routed the Red Army. Always a meticulous researcher, Beevor has done his homework in an era when everyone recorded their thoughts (even the czar kept a diary), delivering a detailed yet unedifying story through the eyes of many participants.
A definitive account.Pub Date: Sept. 20, 2022
ISBN: 978-0-593-49387-8
Page Count: 592
Publisher: Viking
Review Posted Online: July 6, 2022
Kirkus Reviews Issue: Aug. 1, 2022
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by David Grann ‧ RELEASE DATE: April 18, 2017
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.
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Greed, depravity, and serial murder in 1920s Oklahoma.
During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorker staff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.Pub Date: April 18, 2017
ISBN: 978-0-385-53424-6
Page Count: 352
Publisher: Doubleday
Review Posted Online: Feb. 1, 2017
Kirkus Reviews Issue: Feb. 15, 2017
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BOOK TO SCREEN
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BOOK TO SCREEN
by Howard Zinn ‧ RELEASE DATE: Jan. 1, 1979
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
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by Howard Zinn ; adapted by Rebecca Stefoff with by Ed Morales
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by Howard Zinn with Ray Suarez
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by Howard Zinn
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