by Antony Loewenstein ‧ RELEASE DATE: May 23, 2023
An eye-opening, intriguing study.
A sharp exposé of how Israel’s suppression of Palestine has translated into lucrative anti-terrorist systems that the Israeli government exports globally.
In the introduction, Australian journalist Loewenstein, an “atheist Jew” and author of Disaster Capitalism and Pills, Powder, and Smoke, writes about growing up “in a liberal Zionist home in Melbourne…where support for Israel wasn’t a required religion but certainly expected.” However, as the Israeli domination of the Palestinian narrative became increasingly apparent, the author grew disillusioned, not unlike many young people in the West. In this meticulous study, he asserts that “Israel’s claim to be a thriving democracy in the heart of the Middle East is challenged by the facts”—namely, that the nation has been exporting sophisticated, state-of-the-art weaponry and surveillance technology around the world, largely to unsavory dictators who are trying to crush rebellious minorities, much like the Israelis with the Palestinians. Loewenstein lays out the methods the Israelis have used to control the Palestinians, including high-tech defense equipment, checkpoint security, and cybersurveillance, all of which have been tested and modified for effectiveness in order to export globally. As the author shows, the Israelis have sent weapons and technology to Pinochet’s Chile in the 1970s as well as to disreputable regimes in Burma, Sri Lanka, Rhodesia, and Rwanda, among others. Israel’s vaunted Uzi gun, designed in the late 1940s, has been sold to more than 90 countries since then. “Militarism [eventually] became the country’s guiding principle,” writes the author, especially since 9/11, when the rest of the world got a taste of the terrorism Israel has battled for decades. In his diligent narrative, Loewenstein devotes chapters to the now-ubiquitous Pegasus system, a phone-hacking tool sold by the Israeli surveillance company NSO Group, and the recent activities of social media companies that have “routinely blocked content that was critical of Israel or showed the Palestinian point of view.”
An eye-opening, intriguing study.Pub Date: May 23, 2023
ISBN: 9781839762086
Page Count: 304
Publisher: Verso
Review Posted Online: March 20, 2023
Kirkus Reviews Issue: April 15, 2023
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BOOK REVIEW
by Howard Zinn ‧ RELEASE DATE: Jan. 1, 1979
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
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BOOK REVIEW
by Howard Zinn ; adapted by Rebecca Stefoff with by Ed Morales
BOOK REVIEW
by Howard Zinn with Ray Suarez
BOOK REVIEW
by Howard Zinn
by Alok Vaid-Menon ‧ RELEASE DATE: June 2, 2020
A fierce, penetrating, and empowering call for change.
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Artist and activist Vaid-Menon demonstrates how the normativity of the gender binary represses creativity and inflicts physical and emotional violence.
The author, whose parents emigrated from India, writes about how enforcement of the gender binary begins before birth and affects people in all stages of life, with people of color being especially vulnerable due to Western conceptions of gender as binary. Gender assignments create a narrative for how a person should behave, what they are allowed to like or wear, and how they express themself. Punishment of nonconformity leads to an inseparable link between gender and shame. Vaid-Menon challenges familiar arguments against gender nonconformity, breaking them down into four categories—dismissal, inconvenience, biology, and the slippery slope (fear of the consequences of acceptance). Headers in bold font create an accessible navigation experience from one analysis to the next. The prose maintains a conversational tone that feels as intimate and vulnerable as talking with a best friend. At the same time, the author's turns of phrase in moments of deep insight ring with precision and poetry. In one reflection, they write, “the most lethal part of the human body is not the fist; it is the eye. What people see and how people see it has everything to do with power.” While this short essay speaks honestly of pain and injustice, it concludes with encouragement and an invitation into a future that celebrates transformation.
A fierce, penetrating, and empowering call for change. (writing prompt) (Nonfiction. 14-adult)Pub Date: June 2, 2020
ISBN: 978-0-593-09465-5
Page Count: 64
Publisher: Penguin Workshop
Review Posted Online: March 14, 2020
Kirkus Reviews Issue: April 1, 2020
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More In The Series
by Shavone Charles ; illustrated by Ashley Lukashevsky
by Leo Baker ; illustrated by Ashley Lukashevsky
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