An incisive glimpse into the brutality of war and the tender, human urge to connect in the face of death and destruction.
Orphaned by the Sri Lankan civil war, a young man hopes an arranged marriage might make his last days in a refugee camp more meaningful.
Under constant fire, Dinesh tends to the wounded in a makeshift clinic, where amputations occur as often as bombs—and without the niceties of anesthetic or surgical tools. As troops surround the camp—pushed to the edge of the sea by fighting—Dinesh meditates on what he feels may be his last moments: “All his life he had used his hands and feet, his fingers and toes, and knowing that soon he’d no longer be able to rely on them made him feel abandoned suddenly and alone.” His world, like the world of his fellow refugees, shrinks to the size of the camp: its trenches, an occasional bowl of rice, the wounded and dead and dying. When a desperate father approaches Dinesh with an offer of marriage to his only surviving daughter, Ganga, Dinesh accepts, hoping to ease the isolation caused by war and offer what little protection he can. “What they would do together, he didn’t know,” Dinesh thinks. “How husbands and wives spent their time he had no idea, but at the very least he would be able to sit beside her, to eat beside her, and think beside her.” With care and precision, Arudpragasam delivers a deeply contemplative, psychological portrait of war and how quickly language and memory fall away in the face of constant terror. Even the simplest acts—washing clothes and the body, walking—become opportunities for Dinesh to mourn the death of his mother or celebrate his new life as a husband. Arudpragasam writes in long, breathless passages, following the trail of Dinesh’s apprehensions about sex, survival, and intimacy. For all the bombs that devastate Dinesh’s country, this novel offers instead the “strange, weightless stillness” of trauma’s emotional aftermath.
An incisive glimpse into the brutality of war and the tender, human urge to connect in the face of death and destruction.Pub Date: Sept. 6, 2016
ISBN: 978-1-250-07240-5
Page Count: 224
Publisher: Flatiron Books
Review Posted Online: June 21, 2016
Kirkus Reviews Issue: July 1, 2016
BOOK REVIEW
PROFILES
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.
Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.
Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.Pub Date: April 24, 2018
ISBN: 978-1-5011-5464-5
Page Count: 368
Publisher: Atria
Review Posted Online: Feb. 5, 2018
Kirkus Reviews Issue: Feb. 15, 2018
The Brat Pack meets The Bacchae in this precious, way-too-long, and utterly unsuspenseful town-and-gown murder tale. A bunch of ever-so-mandarin college kids in a small Vermont school are the eager epigones of an aloof classics professor, and in their exclusivity and snobbishness and eagerness to please their teacher, they are moved to try to enact Dionysian frenzies in the woods. During the only one that actually comes off, a local farmer happens upon them—and they kill him. But the death isn't ruled a murder—and might never have been if one of the gang—a cadging sybarite named Bunny Corcoran—hadn't shown signs of cracking under the secret's weight. And so he too is dispatched. The narrator, a blank-slate Californian named Richard Pepen chronicles the coverup. But if you're thinking remorse-drama, conscience masque, or even semi-trashy who'll-break-first? page-turner, forget it: This is a straight gee-whiz, first-to-have-ever-noticed college novel—"Hampden College, as a body, was always strangely prone to hysteria. Whether from isolation, malice, or simple boredom, people there were far more credulous and excitable than educated people are generally thought to be, and this hermetic, overheated atmosphere made it a thriving black petri dish of melodrama and distortion." First-novelist Tartt goes muzzy when she has to describe human confrontations (the murder, or sex, or even the ping-ponging of fear), and is much more comfortable in transcribing aimless dorm-room paranoia or the TV shows that the malefactors anesthetize themselves with as fate ticks down. By telegraphing the murders, Tartt wants us to be continually horrified at these kids—while inviting us to semi-enjoy their manneristic fetishes and refined tastes. This ersatz-Fitzgerald mix of moralizing and mirror-looking (Jay McInerney shook and poured the shaker first) is very 80's—and in Tartt's strenuous version already seems dated, formulaic. Les Nerds du Mal—and about as deep (if not nearly as involving) as a TV movie.
Pub Date: Sept. 16, 1992
ISBN: 1400031702
Page Count: 592
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 1992
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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