Laugh-out-loud fun.
A little South Asian girl in a dress and pigtails desperately tries to rid herself of the hiccups.
She drinks a pail of water while standing on a brick, spins around until she’s sick, and recites a limerick while standing on her head, but the hiccups just keep on coming. Her attempts to banish them grow more and more bizarre and are met with great expectations, but the results are always disastrous and hilarious and have no effect on her problem. Each suggested remedy and its aftermath play out over two double-page spreads. On the first, the suggestion (all rhyme with “ick”) is printed in large type and placed on a stark white background as the girl follows the directions. The results are then depicted in all their delicious chaos with the only text a despairing “HIC” uttered by that unhappy heroine. In the end she throws away her guidebook of ideas and challenges readers to help. The silly events unfold in India, as indicated by clothing, fauna, and a cheerily busy streetscape. The bold cartoon illustrations, screen-printed in organic inks, employ only black, white, blue, and gold, and the black-haired little girl’s skin tones are in those colors as well, changing for each anti-hiccup attempt. Hiccup tales are numerous and popular with young readers, but this one has a unique, delightful twist.
Laugh-out-loud fun. (Picture book. 4-8)Pub Date: Sept. 15, 2017
ISBN: 978-93-83145-64-5
Page Count: 40
Publisher: Tara Publishing
Review Posted Online: Aug. 20, 2017
Kirkus Reviews Issue: Sept. 1, 2017
BOOK REVIEW
BOOK REVIEW
Visually accomplished but marred by stereotypical cultural depictions.
Ellis, known for her illustrations for Colin Meloy’s Wildwood series, here riffs on the concept of “home.”
Shifting among homes mundane and speculative, contemporary and not, Ellis begins and ends with views of her own home and a peek into her studio. She highlights palaces and mansions, but she also takes readers to animal homes and a certain famously folkloric shoe (whose iconic Old Woman manages a passel of multiethnic kids absorbed in daring games). One spread showcases “some folks” who “live on the road”; a band unloads its tour bus in front of a theater marquee. Ellis’ compelling ink and gouache paintings, in a palette of blue-grays, sepia and brick red, depict scenes ranging from mythical, underwater Atlantis to a distant moonscape. Another spread, depicting a garden and large building under connected, transparent domes, invites readers to wonder: “Who in the world lives here? / And why?” (Earth is seen as a distant blue marble.) Some of Ellis’ chosen depictions, oddly juxtaposed and stripped of any historical or cultural context due to the stylized design and spare text, become stereotypical. “Some homes are boats. / Some homes are wigwams.” A sailing ship’s crew seems poised to land near a trio of men clad in breechcloths—otherwise unidentified and unremarked upon.
Visually accomplished but marred by stereotypical cultural depictions. (Picture book. 4-8)Pub Date: Feb. 24, 2015
ISBN: 978-0-7636-6529-6
Page Count: 40
Publisher: Candlewick
Review Posted Online: Nov. 17, 2014
Kirkus Reviews Issue: Dec. 1, 2014
An invitation to wonder, imagine and look at everything (humans included) in a new way.
A young boy sees things a little differently than others.
Noah can see patterns in the dust when it sparkles in the sunlight. And if he puts his nose to the ground, he can smell the “green tang of the ants in the grass.” His most favorite thing of all, however, is to read. Noah has endless curiosity about how and why things work. Books open the door to those answers. But there is one question the books do not explain. When the wind comes whistling by, where does it go? Noah decides to find out. In a chase that has a slight element of danger—wind, after all, is unpredictable—Noah runs down streets, across bridges, near a highway, until the wind lifts him off his feet. Cowman’s gusty wisps show each stream of air turning a different jewel tone, swirling all around. The ribbons gently bring Noah home, setting him down under the same thinking tree where he began. Did it really happen? Worthington’s sensitive exploration leaves readers with their own set of questions and perhaps gratitude for all types of perspective. An author’s note mentions children on the autism spectrum but widens to include all who feel a little different.
An invitation to wonder, imagine and look at everything (humans included) in a new way. (Picture book. 4-8)Pub Date: April 14, 2015
ISBN: 978-1-60554-356-7
Page Count: 32
Publisher: Redleaf Lane
Review Posted Online: Feb. 2, 2015
Kirkus Reviews Issue: Feb. 15, 2015
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