Admirably ambitious, if clunky, coming-of-age fare.
Comic portrait of modern American life from an outsider’s perspective—but first, 80-odd pages about life in Siberia.
Ulinich’s debut gets off to a glum start. Sasha is a bright teenage girl who’s shy, overweight and curious about what happened to her father, a biracial man who left for America years before. More than anything, she’s eager to get out of her hometown of Asbestos 2, where heavy drinking passes for entertainment and the only thing that smacks of culture is the art school in the basement of a decrepit Soviet-era building. A local ne’er-do-well gets Sasha pregnant, but her mother is willing to care for the baby if Sasha pursues further art training in Moscow. A flop as a student and barred from returning home, she signs on with a mail-order-bride service, which lands her in Phoenix. From there, the novel chronicles Sasha’s travels through the U.S. and the motley folks she encounters: Neal, the controlling man who selected her from the bridal service; Marina, the fellow immigrant who helps her escape to Chicago; the wealthy family that hires her as a maid; and finally, in Brooklyn, her father. Ulinich wants to balance serious themes of Jewishness, motherhood and the immigrant experience with more lighthearted depictions of American life, and she does well in scrutinizing the upper reaches of the class structure: There are thoughtful passages about rich, New-Agey Brooklynites and the hypocrisy of wealthy Chicago do-gooders who take Sasha in. But other portions feel underdeveloped and full of airy dialogue, and Ulinich seems uncertain about how much emphasis to give the themes of race and religion. In the process, Sasha ultimately becomes more a sounding board for others’ quirks than a fully developed character. Still, the final chapters are filled with some nicely detailed observations about her two homelands—and alienation in general—that somewhat salvages the book from its flaws.
Admirably ambitious, if clunky, coming-of-age fare.Pub Date: Feb. 19, 2007
ISBN: 0-670-03819-9
Page Count: 336
Publisher: Viking
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 1, 2006
BOOK REVIEW
Absolutely enthralling. Read it.
A young Irish couple gets together, splits up, gets together, splits up—sorry, can't tell you how it ends!
Irish writer Rooney has made a trans-Atlantic splash since publishing her first novel, Conversations With Friends, in 2017. Her second has already won the Costa Novel Award, among other honors, since it was published in Ireland and Britain last year. In outline it's a simple story, but Rooney tells it with bravura intelligence, wit, and delicacy. Connell Waldron and Marianne Sheridan are classmates in the small Irish town of Carricklea, where his mother works for her family as a cleaner. It's 2011, after the financial crisis, which hovers around the edges of the book like a ghost. Connell is popular in school, good at soccer, and nice; Marianne is strange and friendless. They're the smartest kids in their class, and they forge an intimacy when Connell picks his mother up from Marianne's house. Soon they're having sex, but Connell doesn't want anyone to know and Marianne doesn't mind; either she really doesn't care, or it's all she thinks she deserves. Or both. Though one time when she's forced into a social situation with some of their classmates, she briefly fantasizes about what would happen if she revealed their connection: "How much terrifying and bewildering status would accrue to her in this one moment, how destabilising it would be, how destructive." When they both move to Dublin for Trinity College, their positions are swapped: Marianne now seems electric and in-demand while Connell feels adrift in this unfamiliar environment. Rooney's genius lies in her ability to track her characters' subtle shifts in power, both within themselves and in relation to each other, and the ways they do and don't know each other; they both feel most like themselves when they're together, but they still have disastrous failures of communication. "Sorry about last night," Marianne says to Connell in February 2012. Then Rooney elaborates: "She tries to pronounce this in a way that communicates several things: apology, painful embarrassment, some additional pained embarrassment that serves to ironise and dilute the painful kind, a sense that she knows she will be forgiven or is already, a desire not to 'make a big deal.' " Then: "Forget about it, he says." Rooney precisely articulates everything that's going on below the surface; there's humor and insight here as well as the pleasure of getting to know two prickly, complicated people as they try to figure out who they are and who they want to become.
Absolutely enthralling. Read it.Pub Date: April 16, 2019
ISBN: 978-1-984-82217-8
Page Count: 288
Publisher: Hogarth
Review Posted Online: Feb. 17, 2019
Kirkus Reviews Issue: March 1, 2019
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
BOOK TO SCREEN
"This soil," concludes the young narrator of this quiet chronicle of garrotted innocence, "is bad for all kinds of flowers. Certain seeds it will not nurture, certain fruit it will not bear." And among the exclusions of white rural Ohio, echoed by black respectability, is ugly, black, loveless, twelve-year-old Pecola. But in a world where blue-eyed gifts are clucked over and admired, and the Pecolas are simply not seen, there is always the possibility of the dream and wish—for blue eyes. Born of a mother who adjusted her life to the clarity and serenity of white households and "acquired virtues that were easy to maintain" and a father, Cholly, stunted by early rejections and humiliations, Pecola just might have been loved—for in raping his daughter Cholly did at least touch her. But "Love is never better than the lover," and with the death of her baby, the child herself, accepting absolutely the gift of blue eyes from a faith healer (whose perverse interest in little girls does not preclude understanding), inches over into madness. A skillful understated tribute to the fall of a sparrow for whose small tragedy there was no watching eye.
Pub Date: Oct. 29, 1970
ISBN: 0375411550
Page Count: -
Publisher: Holt Rinehart & Winston
Review Posted Online: Sept. 30, 2011
Kirkus Reviews Issue: Oct. 1, 1970
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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