A Jewish Little Women with less moralizing and—paradoxically—both bleaker and with more humor.
A classic of Jewish American literature returns to print.
First published in 1925, Yezierska’s fine novel describes a young girl struggling to survive the chaos and poverty of the Lower East Side tenements. Like her author, Sara Smolinsky emigrated from Poland with her family—in Sara’s case, several sisters, a worrying, nagging mother, and a holy fool of a father. While Sara and her sisters hire themselves out to shops and factories, bringing home their scant wages, their father stays at home, consulting his holy books. “More and more,” Sara thinks, “I began to see that Father, in his innocent craziness to hold up the Light of the Law to his children, was as a tyrant more terrible than the Tsar from Russia.” Yezierska’s sense of vernacular is wonderful: The book, which was written in English, bears a strong Yiddish imprint. “But from always it was heavy on my heart the worries for the house as if I was mother,” Sara thinks near the beginning. The gradual smoothing-out of the language, as Sara herself becomes more assimilated, is subtle. But Yezierska can also be heavy-handed, as when the landlady bursts in on the Smolinsky family demanding “My rent!” while “waving her thick diamond fingers before Father’s face.” The book is saved from its own bleakness by Yezierska’s sense of humor—there is a helter-skelter kind of slapstick comedy throughout—and by Sara herself. After watching her sisters married off, one by one, to unpromising (to say the least) husbands, Sara decides to strike out on her own. She finds a small room of her own and starts attending night school: “I want to learn everything in the school from the beginning to the end,” she tells the teacher.
A Jewish Little Women with less moralizing and—paradoxically—both bleaker and with more humor.Pub Date: May 2, 2023
ISBN: 9780143137719
Page Count: 240
Publisher: Penguin Classics
Review Posted Online: March 10, 2023
Kirkus Reviews Issue: April 1, 2023
Though Hilderbrand threatens to kill all our darlings with this last laugh, her acknowledgments say it’s just “for now.”
A stranger comes to town, and a beloved storyteller plays this creative-writing standby for all it’s worth.
Hilderbrand fans, a vast and devoted legion, will remember Blond Sharon, the notorious island gossip. In what is purportedly the last of the Nantucket novels, Blond Sharon decides to pursue her lifelong dream of fiction writing. In the collective opinion of the island—aka the “cobblestone telegraph”—she’s qualified. “Well, we think, she’s certainly demonstrated her keen interest in other people’s stories, the seedier and more salacious, the better.” Blond Sharon’s first assignment in her online creative writing class is to create a two-person character study, and Hilderbrand has her write up the two who arrive on the ferry in an opening scene of the book, using the same descriptors Hilderbrand has. Amusingly, the class is totally unimpressed. “‘I found it predictable,’ Willow said. ‘Like maybe Sharon used ChatGPT with the prompt “Write a character study about two women getting off the ferry, one prep and one punk.”’” Blond Sharon abandons these characters, but Hilderbrand thankfully does not. They are Kacy Kapenash, daughter of retiring police chief Ed Kapenash (the other swan song referred to by the title), and her new friend Coco Coyle, who has given up her bartending job in the Virgin Islands to become a “personal concierge” for the other strangers-who-have-come-to-town. These are the Richardsons, Bull and Leslee, a wild and wealthy couple who have purchased a $22 million beachfront property and plan to take Nantucket by storm. As the book opens, their house has burned down during an end-of-summer party on their yacht, and Coco is missing, feared both responsible for the fire and dead. Though it’s the last weekend of his tenure, Chief Ed refuses to let the incoming chief, Zara Washington, take this one over. The investigation goes forward in parallel with a review of the summer’s intrigues, love affairs, and festivities. Whatever else you can say about Leslee Richardson, she knows how to throw a party, and Hilderbrand is just the writer to design her invitations, menus, themes, playlists, and outfits. And that hot tub!
Though Hilderbrand threatens to kill all our darlings with this last laugh, her acknowledgments say it’s just “for now.”Pub Date: June 11, 2024
ISBN: 9780316258876
Page Count: 384
Publisher: Little, Brown
Review Posted Online: March 9, 2024
Kirkus Reviews Issue: April 1, 2024
PERSPECTIVES
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.
A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.
When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.Pub Date: Feb. 6, 2024
ISBN: 9781250178633
Page Count: 480
Publisher: St. Martin's
Review Posted Online: Nov. 4, 2023
Kirkus Reviews Issue: Dec. 1, 2023
PERSPECTIVES
BOOK TO SCREEN
SEEN & HEARD
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