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BEATRICE LIKES THE DARK

A sweet tale of sisterly differences and love.

Sisters who are opposites may help readers find ways to feel comfortable out of their comfort zones…if they have the support of their siblings.

While most children will not feel the same way Beatrice does about the dark, spiders, quiet, and picnics in graveyards, they will understand her love for those things and her confusion when faced with their opposites—sunny days and loud things and talking, all things her younger sister, Roo, loves. Tucholke presents each sister’s preferences in a way that will have readers empathizing with both and wondering how they will ever get along. But in the end, a sisterly hand in the dark of night, a potion to help Roo appreciate the dark, and a song to help Beatrice learn to enjoy the light bring the two together. They don’t suddenly change their likes and dislikes, “but they can love each other, all the same.” Thrice repeated words in a font that increases in size weave a spell over readers and emphasize mood. For instance, Beatrice doesn’t understand “why some things are so bright bright bright and so loud loud loud.” Le’s artwork masterfully uses color to set the mood: deep background colors, black, and orange and red highlights for Beatrice’s pages; white or light blue backgrounds and bright colors filling Roo’s pages; and a blend of the two when the sisters come together. Both sisters are light-skinned with light hair. (This book was reviewed digitally.)

A sweet tale of sisterly differences and love. (Picture book. 4-8)

Pub Date: Sept. 13, 2022

ISBN: 978-1-64375-157-3

Page Count: 32

Publisher: Algonquin

Review Posted Online: May 24, 2022

Kirkus Reviews Issue: June 15, 2022

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ON THE FIRST DAY OF KINDERGARTEN

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...

Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.

The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)

Pub Date: June 21, 2016

ISBN: 978-0-06-234834-0

Page Count: 32

Publisher: Harper/HarperCollins

Review Posted Online: May 3, 2016

Kirkus Reviews Issue: June 1, 2016

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TINY T. REX AND THE IMPOSSIBLE HUG

Wins for compassion and for the refusal to let physical limitations hold one back.

With such short arms, how can Tiny T. Rex give a sad friend a hug?

Fleck goes for cute in the simple, minimally detailed illustrations, drawing the diminutive theropod with a chubby turquoise body and little nubs for limbs under a massive, squared-off head. Impelled by the sight of stegosaurian buddy Pointy looking glum, little Tiny sets out to attempt the seemingly impossible, a comforting hug. Having made the rounds seeking advice—the dino’s pea-green dad recommends math; purple, New Age aunt offers cucumber juice (“That is disgusting”); red mom tells him that it’s OK not to be able to hug (“You are tiny, but your heart is big!”), and blue and yellow older sibs suggest practice—Tiny takes up the last as the most immediately useful notion. Unfortunately, the “tree” the little reptile tries to hug turns out to be a pterodactyl’s leg. “Now I am falling,” Tiny notes in the consistently self-referential narrative. “I should not have let go.” Fortunately, Tiny lands on Pointy’s head, and the proclamation that though Rexes’ hugs may be tiny, “I will do my very best because you are my very best friend” proves just the mood-lightening ticket. “Thank you, Tiny. That was the biggest hug ever.” Young audiences always find the “clueless grown-ups” trope a knee-slapper, the overall tone never turns preachy, and Tiny’s instinctive kindness definitely puts him at (gentle) odds with the dinky dino star of Bob Shea’s Dinosaur Vs. series.

Wins for compassion and for the refusal to let physical limitations hold one back. (Picture book. 5-7)

Pub Date: March 5, 2019

ISBN: 978-1-4521-7033-6

Page Count: 48

Publisher: Chronicle Books

Review Posted Online: Nov. 11, 2018

Kirkus Reviews Issue: Dec. 1, 2018

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