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KNEE-DEEP IN WONDER

Strong writing throughout, however, from a very promising writer with a world-class imagination.

An earnest debut novel painstakingly records an uprooted black woman’s recovery of her scattered family’s even more scattered history.

In 1976, Helene Strickland travels from Washington, DC (where she works in a nursing home), to Arkansas’s impoverished Lafayette County when summoned by her estranged mother Queen Ester—who had abandoned baby Helene to be raised by the child’s warmhearted Aunt Annie b (sic). After learning that Annie b has died, Helene confronts her mother, who does allow her daughter into her house, and, to a limited extent, her memories. Reynolds then juxtaposes Helene’s inquiries about the anger and contention that have consumed her family’s generations with detailed flashbacks (presented, oddly, as omniscient narrative rather than from the viewpoint of a specific character, remembering). We gradually learn of the rise to property ownership and security of Helene’s itinerant maternal grandmother Liberty, herself a child abandoned, by both her parents. Then Liberty’s story is connected to that of Chester “Chess” Hubbert, the son of Mississippi tenant farmers victimized by the flooding of hastily constructed levees: a rootless, sexually confused charmer whose vertiginous careening from one woman to another eventually involved him with both Liberty (who took the wanderer in) and teenaged Queen Ester, in a combustible “batch of love and hate cooked up all together” that could only produce envy, hatred, and catastrophe. Reynolds creates striking, brooding, indisputably real characters and writes about them with assurance and lyric grace. But Knee Deep in Wonder (a strange title, incidentally) is structurally suspect, especially when its illogical deployment of viewpoints is stretched further, late in the novel, to accommodate those of both Chess and a man known as “other,” who seems to hold the final piece to the puzzle that Helene is laboriously assembling.

Strong writing throughout, however, from a very promising writer with a world-class imagination.

Pub Date: Sept. 2, 2003

ISBN: 0-8050-7346-9

Page Count: 320

Publisher: Henry Holt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 1, 2003

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THE NIGHTINGALE

Still, a respectful and absorbing page-turner.

Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.

In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.

Still, a respectful and absorbing page-turner.

Pub Date: Feb. 3, 2015

ISBN: 978-0-312-57722-3

Page Count: 448

Publisher: St. Martin's

Review Posted Online: Nov. 19, 2014

Kirkus Reviews Issue: Dec. 1, 2014

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THE THINGS WE DO FOR LOVE

Heartfelt, yes, but pretty routine.

Life lessons.

Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.

Heartfelt, yes, but pretty routine.

Pub Date: July 1, 2004

ISBN: 0-345-46750-7

Page Count: 400

Publisher: Ballantine

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 15, 2004

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