Next book

ONE OF THE GOOD GUYS

Could this novel exist without the male voice—or should it? Hard to say, but it’s a fascinating read.

Hall interrogates whether a man can be a “good man”—and from whose perspective.

Running from his failed marriage, Cole, the narrator, leaves London for England’s South Coast, where he takes up animal trapping and tries to get over his ex-wife. Soon, in his somewhat tentative way, he’s making gentle moves on his new neighbor, an artist. For her part, Lennie seems to appreciate Cole’s companionship, even as she’s not ready to sleep with him yet. Then, on New Year’s Eve, two young women who’ve been hiking through the south of England to raise money to help female victims of violence go missing. Their disappearance follows a recent confrontation with Cole, and it soon appears he may be a suspect. This is the first third of Hall’s novel; then suddenly she pulls the rug. Part Two offers backstory in the voice of Cole’s ex-wife, Mel. By the time Part Three begins, the rug has been pulled once again. In addition to these narrative voices, Hall includes excerpts from Twitter and various news outlets, an artist statement by Lennie, and interview transcripts, so the novel emerges through layers of perspective and interpretation, all pointing to a single question with incredibly complicated optics: Is it enough for a man to be “good” if he still refuses to listen, if he lives comfortably ensconced in the language and power of the patriarchy? Lately, it seems like every thriller wants to weigh in on the post-#MeToo landscape, and the better ones—and Hall’s definitely is—find some nuance in the commentary. The only thing that niggles is whether Cole deserves to have a say—the first and longest one, at that—in the novel. There’s something ironic about bemoaning the supremacy of the male voice and also offering quite a bit of perspective from the lone male character, but the approach does emphasize the way society’s expectations vary wildly for a “good man” versus a “good woman.”

Could this novel exist without the male voice—or should it? Hard to say, but it’s a fascinating read.

Pub Date: Jan. 9, 2024

ISBN: 9781638931553

Page Count: 304

Publisher: Gillian Flynn/Zando

Review Posted Online: Oct. 21, 2023

Kirkus Reviews Issue: Nov. 15, 2023

Awards & Accolades

Likes

  • Readers Vote
  • 163


Our Verdict

  • Our Verdict
  • GET IT


  • New York Times Bestseller

Next book

NEVER FLINCH

Even when King is not at his best, he’s still good.

Awards & Accolades

Likes

  • Readers Vote
  • 163


Our Verdict

  • Our Verdict
  • GET IT


  • New York Times Bestseller

Two killers are on the loose. Can they be stopped?

In this ambitious mystery, the prolific and popular King tells the story of a serial murderer who pledges, in a note to Buckeye City police, to kill “13 innocents and 1 guilty,” in order, we eventually learn, to avenge the death of a man who was framed and convicted for possession of child pornography and then killed in prison. At the same time, the author weaves in the efforts of another would-be murderer, a member of a violently abortion-opposing church who has been stalking a popular feminist author and women’s rights activist on a publicity tour. To tell these twin tales of murders done and intended, King summons some familiar characters, including private investigator Holly Gibney, whom readers may recall from previous novels. Gibney is enlisted to help Buckeye City police detective Izzy Jaynes try to identify and stop the serial killer, who has been murdering random unlucky citizens with chilling efficiency. She’s also been hired as a bodyguard for author and activist Kate McKay and her young assistant. The author succeeds in grabbing the reader’s interest and holding it throughout this page-turning tale of terror, which reads like a big-screen thriller. The action is well paced, the settings are vividly drawn, and King’s choice to focus on the real and deadly dangers of extremist thought is admirable. But the book is hamstrung by cliched characters, hackneyed dialogue (both spoken and internal), and motives that feel both convoluted and overly simplistic. King shines brightest when he gets to the heart of our darkest fears and desires, but here the dangers seem a bit cerebral. In his warning letter to the police, the serial killer wonders if his cryptic rationale to murder will make sense to others, concluding, “It does to me, and that is enough.” Is it enough? In another writer’s work, it might not be, but in King’s skilled hands, it probably is.

Even when King is not at his best, he’s still good.

Pub Date: May 27, 2025

ISBN: 9781668089330

Page Count: 448

Publisher: Scribner

Review Posted Online: Feb. 1, 2025

Kirkus Reviews Issue: March 1, 2025

Awards & Accolades

Likes

  • Readers Vote
  • 63


Our Verdict

  • Our Verdict
  • GET IT


  • New York Times Bestseller

Next book

THE CRASH

Soapy, suspenseful fun.

Awards & Accolades

Likes

  • Readers Vote
  • 63


Our Verdict

  • Our Verdict
  • GET IT


  • New York Times Bestseller

A remembered horror plunges a pregnant woman into a waking nightmare.

Tegan Werner, 23, barely recalls her one-night stand with married real estate developer Simon Lamar; she only learns Simon’s name after seeing him on the local news five months later. Simon wants nothing to do with the resulting child Tegan now carries and tells his lawyer to negotiate a nondisclosure agreement. A destitute Tegan is all too happy to trade her silence for cash—until a whiff of Simon’s cologne triggers a memory of him drugging and raping her. Distraught and eight months pregnant, Tegan flees her Lewiston, Maine, apartment and drives north in a blizzard, intending to seek comfort and counsel from her older brother, Dennis; instead, she gets lost and crashes, badly injuring her ankle. Tegan is terrified when hulking stranger Hank Thompson stops and extricates her from the wreck, and becomes even more so when he takes her to his cabin rather than the hospital, citing hazardous road conditions. Her anxiety eases somewhat upon meeting Hank’s wife, Polly—a former nurse who settles Tegan in a basement hospital room originally built for Polly’s now-deceased mother. Polly vows to call 911 as soon as the phones and power return, but when that doesn’t happen, Tegan becomes convinced that Hank is forcing Polly to hold her prisoner. Tegan doesn’t know the half of it. McFadden unspools her twisty tale via a first-person-present narration that alternates between Tegan and Polly, grounding character while elevating tension. Coincidence and frustratingly foolish assumptions fuel the plot, but readers able to suspend disbelief are in for a wild ride. A purposefully ambiguous, forward-flashing prologue hints at future homicide, establishing stakes from the jump.

Soapy, suspenseful fun.

Pub Date: Jan. 28, 2025

ISBN: 9781464227325

Page Count: 384

Publisher: Poisoned Pen

Review Posted Online: Feb. 1, 2025

Kirkus Reviews Issue: March 1, 2025

Close Quickview