A gentle, playful celebration of sibling relationships.
Biological and chosen siblings are celebrated in this Spanish import translated by Brokenbrow.
Siblings from various types of families are presented in this affecting picture book. Day-in-the-life moments like fighting over toys and trying to get homework done are juxtaposed with hints of fantasy. A pair of siblings sits in a whimsical treehouse against a pink-and-purple sunset, followed by a scene of two sisters engaged in spirited dress-up play. The soft shading of Wimmer’s artwork creates a calming effect, though some spreads depict many characters, are full of motion, and use bright colors. The simple prose meditates on the special bond siblings share and also acknowledges sobering truths: “At the end of the day, what matters is how you feel, because we’re all brothers and sisters, even though sometimes we don’t agree,” and “although the years may go by and take us along different paths, I'll always be just an embrace away.” There is no plot, but children will be drawn to the friendly color palette and ever changing action. Lack of names and information about how members of the ensemble cast are biologically or legally related can be seen as wins for non-normative families and families living in community. Characters have varied skin tones; one child uses a wheelchair; and a father figure is shown cooking. Body type, however, lacks diversity, and digital technology is absent, making the book feel both timeless and vintage despite its modern messaging. (This book was reviewed digitally.)
A gentle, playful celebration of sibling relationships. (Picture book. 3-6)Pub Date: March 1, 2022
ISBN: 978-84-18302-46-6
Page Count: 32
Publisher: Cuento de Luz
Review Posted Online: March 1, 2022
Kirkus Reviews Issue: March 15, 2022
Nice enough but not worth repeat reads.
Emma deals with jitters before playing the guitar in the school talent show.
Pop musician Kevin Jonas and his wife, Danielle, put performance at the center of their picture-book debut. When Emma is intimidated by her very talented friends, the encouragement of her younger sister, Bella, and the support of her family help her to shine her own light. The story is straightforward and the moral familiar: Draw strength from your family and within to overcome your fears. Employing the performance-anxiety trope that’s been written many times over, the book plods along predictably—there’s nothing really new or surprising here. Dawson’s full-color digital illustrations center a White-presenting family along with Emma’s three friends of color: Jamila has tanned skin and wears a hijab; Wendy has dark brown skin and Afro puffs; and Luis has medium brown skin. Emma’s expressive eyes and face are the real draw of the artwork—from worry to embarrassment to joy, it’s clear what she’s feeling. A standout double-page spread depicts Emma’s talent show performance, with a rainbow swirl of music erupting from an amp and Emma rocking a glam outfit and electric guitar. Overall, the book reads pretty plainly, buoyed largely by the artwork. (This book was reviewed digitally.)
Nice enough but not worth repeat reads. (Picture book. 4-6)Pub Date: March 29, 2022
ISBN: 978-0-593-35207-6
Page Count: 40
Publisher: Razorbill/Penguin
Review Posted Online: Feb. 8, 2022
Kirkus Reviews Issue: March 1, 2022
BOOK REVIEW
Plotless and pointless, the book clearly exists only because its celebrity author wrote it.
A succession of animal dads do their best to teach their young to say “Dada” in this picture-book vehicle for Fallon.
A grumpy bull says, “DADA!”; his calf moos back. A sad-looking ram insists, “DADA!”; his lamb baas back. A duck, a bee, a dog, a rabbit, a cat, a mouse, a donkey, a pig, a frog, a rooster, and a horse all fail similarly, spread by spread. A final two-spread sequence finds all of the animals arrayed across the pages, dads on the verso and children on the recto. All the text prior to this point has been either iterations of “Dada” or animal sounds in dialogue bubbles; here, narrative text states, “Now everybody get in line, let’s say it together one more time….” Upon the turn of the page, the animal dads gaze round-eyed as their young across the gutter all cry, “DADA!” (except the duckling, who says, “quack”). Ordóñez's illustrations have a bland, digital look, compositions hardly varying with the characters, although the pastel-colored backgrounds change. The punch line fails from a design standpoint, as the sudden, single-bubble chorus of “DADA” appears to be emanating from background features rather than the baby animals’ mouths (only some of which, on close inspection, appear to be open). It also fails to be funny.
Plotless and pointless, the book clearly exists only because its celebrity author wrote it. (Picture book. 3-5)Pub Date: June 9, 2015
ISBN: 978-1-250-00934-0
Page Count: 32
Publisher: Feiwel & Friends
Review Posted Online: April 14, 2015
Kirkus Reviews Issue: May 1, 2015
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
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