by Ariel Dorfman ‧ RELEASE DATE: Dec. 12, 2017
Dorfman’s likening of Donald Trump to Faulkner’s Flem Snopes alone is worth the price of admission, and if there’s a certain...
Chilean refugee Dorfman (Feeding on Dreams: Confessions of an Unrepentant Exile, 2011, etc.), long resident in the United States, turns in a spirited rebuke of things as they are.
As the author recalls, on arriving here in 1980 following the coup against Salvador Allende and some years of wandering thereafter, he and his wife were under no illusions that they were arriving at a shining city on the hill: “we were aware…of the way in which the United States, its corporations, its military, indeed its public, were complicit in crimes against humanity on every continent.” Nonetheless, he was grateful for the safe haven a second time, the first having been in 1945, and ever hopeful of the possibilities of true progress, even if they have been derailed of late by Trumpism. In this gathering of pieces for the New York Times, the Nation, the BBC, and other outlets, Dorfman sometimes writes from a particularly South American point of view, which is to say he falls back on tropes from Iberian and colonial history—e.g., offering Trump advice on rule from the mouth of Philip II of Spain: “And if current domestic insubordination were to contaminate the republic itself, consider the possibility of resurrecting the Holy Brotherhood of the Inquisition.” Anglo-American readers will be able to follow along without problem, though it will help to know the history of James Buchanan, even if some may be a touch bewildered by the arrival, as Dorfman comments, of more and more Latinos in American towns that never saw them before—especially in the South, where a “mega-Latino supermarket” selling products from all over the Spanish- and Portuguese-speaking world stands as testimonial to the impossibility of the Trumpian border wall, “vanquished by the very taco he grins at demonically in his Twitter post.”
Dorfman’s likening of Donald Trump to Faulkner’s Flem Snopes alone is worth the price of admission, and if there’s a certain sameness to the indignation piece after piece, it’s a worthy addition to the library of resistance.Pub Date: Dec. 12, 2017
ISBN: 978-1-944869-63-2
Page Count: 224
Publisher: OR Books
Review Posted Online: Nov. 19, 2017
Kirkus Reviews Issue: Dec. 15, 2017
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by Ariel Dorfman ; illustrated by Chris Riddell
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by Howard Zinn ‧ RELEASE DATE: Jan. 1, 1979
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
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by Howard Zinn ; adapted by Rebecca Stefoff with by Ed Morales
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by Howard Zinn with Ray Suarez
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by Howard Zinn
by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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