A unique take on Jewish history and legend, with the prospect that it will pay off further in later books.
This debut fantasy follows two young Jews escaping the Inquisition who discover their connection to another world.
In a region resembling Renaissance-era Spain—to the extent that it includes Christians, Muslims, Jews, and the works of medieval Jewish philosopher Maimonides—the Inquisition is coming, and Jews must flee or convert. Naftaly Cresques, a bad tailor tormented by true visions and odd dreams of familiar-seeming places peopled by square-pupiled inhabitants, is among the refugees. Strong-willed fellow refugee Elena Peres soon drags Naftaly into the search for her lost granddaughter, Toba. Toba is a strangely weak and strangely gifted young woman—she cannot run or shout but can simultaneously translate a book into Latin with one hand and Arabic with the other—who has disappeared into a burst of light within a pomegranate grove. She has been transported to the realm of the square-pupiled people, the magical, long-lived race known as the Maziks, who are still suffering the effects of a brutal political coup and spiritual upheaval centuries before. As Toba explores her own mysterious connection to the Maziks and struggles for control of her newly discovered magical gifts, Naftaly faces deadly challenges both on the road and in his dreams, and both become entangled with the Maziks’ dangerous intrigues. It is perhaps a bit confusing that the mortal world of the book, which specifically names the languages, religions, and politics of our own history, is set entirely in imaginary lands. On the other hand, a great deal of Jewish-inspired fantasy tends to employ a coded version of Judaism, and some might find it refreshing to read a book with clearly identified Jewish protagonists and that directly draws on Jewish rituals and culture instead of cloaking them in author-invented terms. It is also refreshing that although the introductions of Naftaly and Toba initially suggest to the experienced reader of traditional fantasy novels that they are destined to become a couple, that expectation is shattered fairly definitively. The worldbuilding is intricate and takes up most of the plot, which unfortunately causes the pacing to drag somewhat. The climax is exciting, but it's clear that the book is mainly a setup for actions that will take place in future volumes, which makes this installment an intriguing tease but not entirely satisfying in and of itself.
A unique take on Jewish history and legend, with the prospect that it will pay off further in later books.Pub Date: Sept. 26, 2023
ISBN: 9781645660576
Page Count: 576
Publisher: Erewhon
Review Posted Online: July 13, 2023
Kirkus Reviews Issue: Aug. 1, 2023
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
These letters from some important executive Down Below, to one of the junior devils here on earth, whose job is to corrupt mortals, are witty and written in a breezy style seldom found in religious literature. The author quotes Luther, who said: "The best way to drive out the devil, if he will not yield to texts of Scripture, is to jeer and flout him, for he cannot bear scorn." This the author does most successfully, for by presenting some of our modern and not-so-modern beliefs as emanating from the devil's headquarters, he succeeds in making his reader feel like an ass for ever having believed in such ideas. This kind of presentation gives the author a tremendous advantage over the reader, however, for the more timid reader may feel a sense of guilt after putting down this book. It is a clever book, and for the clever reader, rather than the too-earnest soul.
Pub Date: Jan. 1, 1942
ISBN: 0060652934
Page Count: 53
Publisher: Macmillan
Review Posted Online: Oct. 17, 2011
Kirkus Reviews Issue: June 15, 1943
Lush, gorgeous, precise language and propulsive plotting sweep readers into a story as intelligent as it is atmospheric.
In 16th-century Madrid, a crypto-Jew with a talent for casting spells tries to steer clear of the Inquisition.
Luzia Cotado, a scullion and an orphan, has secrets to keep: “It was a game she and her mother had played, saying one thing and thinking another, the bits and pieces of Hebrew handed down like chipped plates.” Also handed down are “refranes”—proverbs—in “not quite Spanish, just as Luzia was not quite Spanish.” When Luzia sings the refranes, they take on power. “Aboltar cazal, aboltar mazal” (“A change of scene, a change of fortune”) can mend a torn gown or turn burnt bread into a perfect loaf; “Quien no risica, no rosica” (“Whoever doesn’t laugh, doesn’t bloom”) can summon a riot of foliage in the depths of winter. The Inquisition hangs over the story like Chekhov’s famous gun on the wall. When Luzia’s employer catches her using magic, the ambitions of both mistress and servant catapult her into fame and danger. A new, even more ambitious patron instructs his supernatural servant, Guillén Santángel, to train Luzia for a magical contest. Santángel, not Luzia, is the familiar of the title; he has been tricked into trading his freedom and luck to his master’s family in exchange for something he no longer craves but can’t give up. The novel comes up against an issue common in fantasy fiction: Why don’t the characters just use their magic to solve all their problems? Bardugo has clearly given it some thought, but her solutions aren’t quite convincing, especially toward the end of the book. These small faults would be harder to forgive if she weren’t such a beautiful writer. Part fairy tale, part political thriller, part romance, the novel unfolds like a winter tree bursting into unnatural bloom in response to one of Luzia’s refranes, as she and Santángel learn about power, trust, betrayal, and love.
Lush, gorgeous, precise language and propulsive plotting sweep readers into a story as intelligent as it is atmospheric.Pub Date: April 9, 2024
ISBN: 9781250884251
Page Count: 400
Publisher: Flatiron Books
Review Posted Online: Feb. 3, 2024
Kirkus Reviews Issue: March 1, 2024
PERSPECTIVES
PERSPECTIVES
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