A unique take on Jewish history and legend, with the prospect that it will pay off further in later books.
This debut fantasy follows two young Jews escaping the Inquisition who discover their connection to another world.
In a region resembling Renaissance-era Spain—to the extent that it includes Christians, Muslims, Jews, and the works of medieval Jewish philosopher Maimonides—the Inquisition is coming, and Jews must flee or convert. Naftaly Cresques, a bad tailor tormented by true visions and odd dreams of familiar-seeming places peopled by square-pupiled inhabitants, is among the refugees. Strong-willed fellow refugee Elena Peres soon drags Naftaly into the search for her lost granddaughter, Toba. Toba is a strangely weak and strangely gifted young woman—she cannot run or shout but can simultaneously translate a book into Latin with one hand and Arabic with the other—who has disappeared into a burst of light within a pomegranate grove. She has been transported to the realm of the square-pupiled people, the magical, long-lived race known as the Maziks, who are still suffering the effects of a brutal political coup and spiritual upheaval centuries before. As Toba explores her own mysterious connection to the Maziks and struggles for control of her newly discovered magical gifts, Naftaly faces deadly challenges both on the road and in his dreams, and both become entangled with the Maziks’ dangerous intrigues. It is perhaps a bit confusing that the mortal world of the book, which specifically names the languages, religions, and politics of our own history, is set entirely in imaginary lands. On the other hand, a great deal of Jewish-inspired fantasy tends to employ a coded version of Judaism, and some might find it refreshing to read a book with clearly identified Jewish protagonists and that directly draws on Jewish rituals and culture instead of cloaking them in author-invented terms. It is also refreshing that although the introductions of Naftaly and Toba initially suggest to the experienced reader of traditional fantasy novels that they are destined to become a couple, that expectation is shattered fairly definitively. The worldbuilding is intricate and takes up most of the plot, which unfortunately causes the pacing to drag somewhat. The climax is exciting, but it's clear that the book is mainly a setup for actions that will take place in future volumes, which makes this installment an intriguing tease but not entirely satisfying in and of itself.
A unique take on Jewish history and legend, with the prospect that it will pay off further in later books.Pub Date: Sept. 26, 2023
ISBN: 9781645660576
Page Count: 576
Publisher: Erewhon
Review Posted Online: July 13, 2023
Kirkus Reviews Issue: Aug. 1, 2023
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
These letters from some important executive Down Below, to one of the junior devils here on earth, whose job is to corrupt mortals, are witty and written in a breezy style seldom found in religious literature. The author quotes Luther, who said: "The best way to drive out the devil, if he will not yield to texts of Scripture, is to jeer and flout him, for he cannot bear scorn." This the author does most successfully, for by presenting some of our modern and not-so-modern beliefs as emanating from the devil's headquarters, he succeeds in making his reader feel like an ass for ever having believed in such ideas. This kind of presentation gives the author a tremendous advantage over the reader, however, for the more timid reader may feel a sense of guilt after putting down this book. It is a clever book, and for the clever reader, rather than the too-earnest soul.
Pub Date: Jan. 1, 1942
ISBN: 0060652934
Page Count: 53
Publisher: Macmillan
Review Posted Online: Oct. 17, 2011
Kirkus Reviews Issue: June 15, 1943
An author to watch, Buehlman is now two for two in delivering eerie, offbeat novels with admirable literary skill.
Cormac McCarthy's The Road meets Chaucer's Canterbury Tales in this frightful medieval epic about an orphan girl with visionary powers in plague-devastated France.
The year is 1348. The conflict between France and England is nothing compared to the all-out war building between good angels and fallen ones for control of heaven (though a scene in which soldiers are massacred by a rainbow of arrows is pretty horrific). Among mortals, only the girl, Delphine, knows of the cataclysm to come. Angels speak to her, issuing warnings—and a command to run. A pack of thieves is about to carry her off and rape her when she is saved by a disgraced knight, Thomas, with whom she teams on a march across the parched landscape. Survivors desperate for food have made donkey a delicacy and don't mind eating human flesh. The few healthy people left lock themselves in, not wanting to risk contact with strangers, no matter how dire the strangers' needs. To venture out at night is suicidal: Horrific forces swirl about, ravaging living forms. Lethal black clouds, tentacled water creatures and assorted monsters are comfortable in the daylight hours as well. The knight and a third fellow journeyer, a priest, have difficulty believing Delphine's visions are real, but with oblivion lurking in every shadow, they don't have any choice but to trust her. The question becomes, can she trust herself? Buehlman, who drew upon his love of Fitzgerald and Hemingway in his acclaimed Southern horror novel, Those Across the River (2011), slips effortlessly into a different kind of literary sensibility, one that doesn't scrimp on earthy humor and lyrical writing in the face of unspeakable horrors. The power of suggestion is the author's strong suit, along with first-rate storytelling talent.
An author to watch, Buehlman is now two for two in delivering eerie, offbeat novels with admirable literary skill.Pub Date: Oct. 2, 2012
ISBN: 978-1-937007-86-7
Page Count: 432
Publisher: Ace/Berkley
Review Posted Online: Sept. 1, 2012
Kirkus Reviews Issue: Sept. 15, 2012
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