The astute urban theory Sabar adroitly integrates into each chapter mostly cancels out the collection’s cloying weaknesses.
Love stories and urban studies merge in these nine examples of relationships uniquely shaped by New York City’s public spaces.
National Book Critics Circle Award winner and native New Yorker Sabar (My Father’s Paradise: A Son’s Search for His Jewish Past in Kurdish Iraq, 2008) explores how life in the most densely packed urban landscape in the country impacts how people form relationships. Using interviews with real-life couples, the author attempts to illustrate how NYC’s adrenaline-spiking public spaces help steer potential lovers together. Sabar fashions these oral histories into cozy, seductive narratives, admitting to a modicum of poetic license. The book’s most impressive aspect is its multigenerational scope, as it features the stories of couples from the 1940s to the present. The stark contrast between the first two stories illustrates, in jarring fashion, how a postmillennial gentrified sheen has affected the city’s love connections. “Green,” set in the postwar ’40s, finds an impoverished Navy man from Texas who befriends, and eventually marries, an even poorer woman who sleeps in Central Park. In “Collision,” Sabar tells the story of privileged 21st-century 20-somethings Sophia and Matt, who wandered into their upwardly mobile Manhattan love connection. There’s also the story of the couple who bonded over their mutual morbid fascination with 9/11—an NYPD officer became intimate with a North Dakotan college student who was designing a 9/11 memorial for her architecture thesis project. The couple eventually got married on 9/11. Unfortunately, the author ignores the fact that the same civic attributes that foster occasional serendipitous matchmaking can just as easily make NYC the loneliest place in the world.
The astute urban theory Sabar adroitly integrates into each chapter mostly cancels out the collection’s cloying weaknesses.Pub Date: Feb. 14, 2011
ISBN: 978-0-7382-1379-8
Page Count: 272
Publisher: Da Capo
Review Posted Online: Dec. 2, 2010
Kirkus Reviews Issue: Nov. 15, 2010
BOOK REVIEW
BOOK REVIEW
An enjoyable slice of 20th-century music journalism almost certain to provide something for most readers, no matter one’s...
Music journalist and musician Wald (Talking 'Bout Your Mama: The Dozens, Snaps, and the Deep Roots of Rap, 2014, etc.) focuses on one evening in music history to explain the evolution of contemporary music, especially folk, blues, and rock.
The date of that evening is July 25, 1965, at the Newport Folk Festival, where there was an unbelievably unexpected occurrence: singer/songwriter Bob Dylan, already a living legend in his early 20s, overriding the acoustic music that made him famous in favor of electronically based music, causing reactions ranging from adoration to intense resentment among other musicians, DJs, and record buyers. Dylan has told his own stories (those stories vary because that’s Dylan’s character), and plenty of other music journalists have explored the Dylan phenomenon. What sets Wald's book apart is his laser focus on that one date. The detailed recounting of what did and did not occur on stage and in the audience that night contains contradictory evidence sorted skillfully by the author. He offers a wealth of context; in fact, his account of Dylan's stage appearance does not arrive until 250 pages in. The author cites dozens of sources, well-known and otherwise, but the key storylines, other than Dylan, involve acoustic folk music guru Pete Seeger and the rich history of the Newport festival, a history that had created expectations smashed by Dylan. Furthermore, the appearances on the pages by other musicians—e.g., Joan Baez, the Weaver, Peter, Paul, and Mary, Dave Van Ronk, and Gordon Lightfoot—give the book enough of an expansive feel. Wald's personal knowledge seems encyclopedic, and his endnotes show how he ranged far beyond personal knowledge to produce the book.
An enjoyable slice of 20th-century music journalism almost certain to provide something for most readers, no matter one’s personal feelings about Dylan's music or persona.Pub Date: July 25, 2015
ISBN: 978-0-06-236668-9
Page Count: 368
Publisher: Dey Street/HarperCollins
Review Posted Online: May 15, 2015
Kirkus Reviews Issue: June 1, 2015
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...
Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").Pub Date: May 15, 1972
ISBN: 0205632645
Page Count: 105
Publisher: Macmillan
Review Posted Online: Oct. 28, 2011
Kirkus Reviews Issue: May 1, 1972
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