A smart, sweet graphic memoir. Schrag’s work should resonate with anyone—female or male, gay or straight—who has survived...
Schrag (Awkward and Definition, 2008, etc.) explores her junior year of high school, a period of self-discovery amid social minefields, all the more complicated for a gay student.
The second volume of the “High School Comic Chronicles” finds the author dealing with all sorts of personal challenges, both at home and at school. Her constantly bickering parents appear headed for divorce; she feels the pressure to realize her potential as a student; she confronts countless questions regarding her sexuality: Does bisexuality exist, or is it a cop-out? Is it necessary to have sex with a boy to lose one’s virginity? What does it mean when your girlfriend doesn’t desire you as much as you desire her? Since the author wrote the book during the summer following her junior year, Schrag’s fellow students were aware that she was chronicling their life as a graphic narrative. As such, the book becomes a kind of meta-comic, in which there are plenty of comments about what is and is not included. As the title suggests, identities are fluid rather than fixed, and the characters are in a state of becoming rather than being. Though Schrag’s classmates at California’s Berkeley High School may have been a little hipper than many throughout the country, most were equally clueless when it comes to figuring out who they really are and what they really want. There is plenty of sex here, somehow as innocent as it is explicit. This should be a breakout year for Schrag, with both a film based on this book and a third graphic volume documenting her senior year (Likewise) due within months.
A smart, sweet graphic memoir. Schrag’s work should resonate with anyone—female or male, gay or straight—who has survived high school.Pub Date: May 6, 2008
ISBN: 978-1-4165-5235-2
Page Count: 232
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 1, 2008
An erudite and artful, though frustratingly restrained, look at Old Testament stories.
The Book of Genesis as imagined by a veteran voice of underground comics.
R. Crumb’s pass at the opening chapters of the Bible isn’t nearly the act of heresy the comic artist’s reputation might suggest. In fact, the creator of Fritz the Cat and Mr. Natural is fastidiously respectful. Crumb took pains to preserve every word of Genesis—drawing from numerous source texts, but mainly Robert Alter’s translation, The Five Books of Moses (2004)—and he clearly did his homework on the clothing, shelter and landscapes that surrounded Noah, Abraham and Isaac. This dedication to faithful representation makes the book, as Crumb writes in his introduction, a “straight illustration job, with no intention to ridicule or make visual jokes.” But his efforts are in their own way irreverent, and Crumb feels no particular need to deify even the most divine characters. God Himself is not much taller than Adam and Eve, and instead of omnisciently imparting orders and judgment He stands beside them in Eden, speaking to them directly. Jacob wrestles not with an angel, as is so often depicted in paintings, but with a man who looks not much different from himself. The women are uniformly Crumbian, voluptuous Earth goddesses who are both sexualized and strong-willed. (The endnotes offer a close study of the kinds of power women wielded in Genesis.) The downside of fitting all the text in is that many pages are packed tight with small panels, and too rarely—as with the destruction of Sodom and Gomorrah—does Crumb expand his lens and treat signature events dramatically. Even the Flood is fairly restrained, though the exodus of the animals from the Ark is beautifully detailed. The author’s respect for Genesis is admirable, but it may leave readers wishing he had taken a few more chances with his interpretation, as when he draws the serpent in the Garden of Eden as a provocative half-man/half-lizard. On the whole, though, the book is largely a tribute to Crumb’s immense talents as a draftsman and stubborn adherence to the script.
An erudite and artful, though frustratingly restrained, look at Old Testament stories.Pub Date: Oct. 19, 2009
ISBN: 978-0-393-06102-4
Page Count: 224
Publisher: Norton
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 15, 2009
BOOK REVIEW
BOOK REVIEW
Drawings, words, and a few photos combine to convey the depth of a tragedy that would leave most people dumbstruck.
A new life and book arise from the ashes of a devastating California wildfire.
These days, it seems the fires will never end. They wreaked destruction over central California in the latter months of 2018, dominating headlines for weeks, barely a year after Fies (Whatever Happened to the World of Tomorrow?, 2009) lost nearly everything to the fires that raged through Northern California. The result is a vividly journalistic graphic narrative of resilience in the face of tragedy, an account of recent history that seems timely as ever. “A two-story house full of our lives was a two-foot heap of dead smoking ash,” writes the author about his first return to survey the damage. The matter-of-fact tone of the reportage makes some of the flights of creative imagination seem more extraordinary—particularly a nihilistic, two-page centerpiece of a psychological solar system in which “the fire is our black hole,” and “some veer too near and are drawn into despair, depression, divorce, even suicide,” while “others are gravitationally flung entirely out of our solar system to other cities or states, and never seen again.” Yet the stories that dominate the narrative are those of the survivors, who were part of the community and would be part of whatever community would be built to take its place across the charred landscape. Interspersed with the author’s own account are those from others, many retirees, some suffering from physical or mental afflictions. Each is rendered in a couple pages of text except one from a fellow cartoonist, who draws his own. The project began with an online comic when Fies did the only thing he could as his life was reduced to ash and rubble. More than 3 million readers saw it; this expanded version will hopefully extend its reach.
Drawings, words, and a few photos combine to convey the depth of a tragedy that would leave most people dumbstruck.Pub Date: March 5, 2019
ISBN: 978-1-4197-3585-1
Page Count: 160
Publisher: Abrams ComicArts
Review Posted Online: Nov. 25, 2018
Kirkus Reviews Issue: Dec. 15, 2018
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