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PLING'S PARTY

Instructive but punctuated with excitement—a rousing read-aloud work.

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An exclamation point is too exuberant to follow the rules in this picture book.

Pling, a smiling exclamation point with an expressive face, must follow an unnamed narrator’s one rule: “He can only be in a book two times.” But dramatic events all around him just seem to call for Pling, from a sudden rainstorm to Baby Goat’s wonderful birthday party, which keeps erupting into action: “Presents! Disco light! Broken chairs! Roller skates! Ice cream! Chewed-up hats! Hot dogs! Confetti!” When the narrator decides that disobedient Pling’s services are no longer necessary, the party becomes glum and lifeless, with dispirited periods rather than exclamation points: “So much fun. All the fun you could have.” Finally, Pling is recalled to end things on a happy note—“but no getting carried away.” Children learning about punctuation can get a good sense of how to use the exclamation point through the contrasting situations that do and don’t call for emphasis. Haughee’s lesson goes down easy, with plenty of creative anarchy for kids to enjoy and sentences that beg to be vigorously read aloud. The skillful digital and acrylic illustrations by Holm are appropriately vibrant, fun, and varied.

Instructive but punctuated with excitement—a rousing read-aloud work.

Pub Date: April 3, 2020

ISBN: 978-1-949935-14-1

Page Count: 34

Publisher: Orange Blossom Publishing

Review Posted Online: April 18, 2020

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CHICKA CHICKA HO HO HO

From the Chicka Chicka Book series

A successful swap from coconut tree to Christmas tree.

A Christmas edition of the beloved alphabet book.

The story starts off nearly identically to Chicka Chicka Boom Boom (1989), written by John Archambault and the late Bill Martin Jr, with the letters A, B, and C deciding to meet in the branches of a tree. This time, they’re attempting to scale a Christmas tree, not a coconut tree, and the letters are strung together like garland. A, B, and C are joined by the other letters, and of course they all “slip, slop, topple, plop!” right down the tree. At the bottom, they discover an assortment of gifts, all in a variety of shapes. As a team, the letters and presents organize themselves to get back up on the Christmas tree and get a star to the top. Holiday iterations of favorite tales often fall flat, but this take succeeds. The gifts are an easy way to reinforce another preschool concept—shapes—and the text uses just enough of the original to be familiar. The rhyming works, sticking to the cadence of the source material. The illustrations pay homage to the late Lois Ehlert’s, featuring the same bold block letters, though they lack some of the whimsy and personality of the original. Otherwise, everything is similarly brightly colored and simply drawn. Those familiar with the classic will be drawn to this one, but newcomers can enjoy it on its own.

A successful swap from coconut tree to Christmas tree. (Picture book. 3-5)

Pub Date: Oct. 1, 2024

ISBN: 9781665954761

Page Count: 40

Publisher: Beach Lane/Simon & Schuster

Review Posted Online: July 4, 2024

Kirkus Reviews Issue: Aug. 1, 2024

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  • New York Times Bestseller


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THE DAY THE CRAYONS QUIT

A comical, fresh look at crayons and color.

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  • New York Times Bestseller


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Duncan wants to draw, but instead of crayons, he finds a stack of letters listing the crayons’ demands in this humorous tale.

Red is overworked, laboring even on holidays. Gray is exhausted from coloring expansive spaces (elephants, rhinos and whales). Black wants to be considered a color-in color, and Peach? He’s naked without his wrapper! This anthropomorphized lot amicably requests workplace changes in hand-lettered writing, explaining their work stoppage to a surprised Duncan. Some are tired, others underutilized, while a few want official titles. With a little creativity and a lot of color, Duncan saves the day. Jeffers delivers energetic and playful illustrations, done in pencil, paint and crayon. The drawings are loose and lively, and with few lines, he makes his characters effectively emote. Clever spreads, such as Duncan’s “white cat in the snow” perfectly capture the crayons’ conundrum, and photographic representations of both the letters and coloring pages offer another layer of texture, lending to the tale’s overall believability.

A comical, fresh look at crayons and color. (Picture book. 3-7)

Pub Date: June 27, 2013

ISBN: 978-0-399-25537-3

Page Count: 40

Publisher: Philomel

Review Posted Online: April 14, 2013

Kirkus Reviews Issue: May 1, 2013

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