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SCARY OLD SEX

The stories in this keenly observed collection lay bare truths—some comforting, others uncomfortable—about love and sex,...

This debut story collection by a New York–based psychiatrist/psychoanalyst with long-standing literary connections delves into the complicated relationships and intimate sex lives of mature couples.

Old (and middle-aged) people have sex, too: appointment sex and spontaneous sex, passionate sex and perfunctory sex, sex with young lovers and aging spouses. That’s the key takeaway from this unflinchingly candid collection. With a few notable exceptions, the women on whom the bulk of Heyman’s stories center have lived and loved. Many have raised children, lost longtime partners, and survived to love again. But “scary old sex,” to borrow Heyman’s perhaps only partly ironic titular description, may involve squinting past sagging flesh, wrinkles, and puckers, accepting thinning hair (a byproduct of aging that apparently affects areas beyond one’s head), readying boxes of tissues and K-Y Jelly, and, most challenging of all, learning to meld oneself to a new partner who differs in startling and lamentable ways from the youthful loves of yore. “He came in naked and she remembered again why she did not like to make love in the daytime,” Marianne, the remarried widow who narrates the collection’s first story, “The Loves of Her Life,” remarks of her kindly second husband, Stu. “She joked sometimes that no one over forty should be allowed to make love in the daytime. There he was, every wrinkle exposed, as if he were in a Lucian Freud painting.” Marianne and the other women Heyman evokes are equally imperfect—occasionally cruel, sometimes neglectful, often regretful. But these very flaws make these characters so real and dimensional, their stories so readable and resonant. Are Heyman’s stories, which reflect three decades of work, based on the lives of her patients, her own life, a product of her imagination? The reader may well wonder. Yet one story, “In Love With Murray,” which follows the affair of an older artist and a young art student and which was written “in memory of Bernard Malamud,” may well have been inspired by the author’s reputed affair with the renowned author, with whom she studied as a young coed at Bennington College. Heyman has been described as Malamud’s muse. Judging from these stories, he may have been hers as well.

The stories in this keenly observed collection lay bare truths—some comforting, others uncomfortable—about love and sex, aging and acceptance.

Pub Date: March 8, 2016

ISBN: 978-1-63286-233-4

Page Count: 240

Publisher: Bloomsbury

Review Posted Online: Dec. 22, 2015

Kirkus Reviews Issue: Jan. 1, 2016

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THE THINGS THEY CARRIED

It's being called a novel, but it is more a hybrid: short-stories/essays/confessions about the Vietnam War—the subject that O'Brien reasonably comes back to with every book. Some of these stories/memoirs are very good in their starkness and factualness: the title piece, about what a foot soldier actually has on him (weights included) at any given time, lends a palpability that makes the emotional freight (fear, horror, guilt) correspond superbly. Maybe the most moving piece here is "On The Rainy River," about a draftee's ambivalence about going, and how he decided to go: "I would go to war—I would kill and maybe die—because I was embarrassed not to." But so much else is so structurally coy that real effects are muted and disadvantaged: O'Brien is writing a book more about earnestness than about war, and the peekaboos of this isn't really me but of course it truly is serve no true purpose. They make this an annoyingly arty book, hiding more than not behind Hemingwayesque time-signatures and puerile repetitions about war (and memory and everything else, for that matter) being hell and heaven both. A disappointment.

Pub Date: March 28, 1990

ISBN: 0618706410

Page Count: 256

Publisher: Houghton Mifflin

Review Posted Online: Oct. 2, 2011

Kirkus Reviews Issue: Feb. 15, 1990

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SIGHTSEEING

STORIES

A newcomer to watch: fresh, funny, and tough.

Seven stories, including a couple of prizewinners, from an exuberantly talented young Thai-American writer.

In the poignant title story, a young man accompanies his mother to Kok Lukmak, the last in the chain of Andaman Islands—where the two can behave like “farangs,” or foreigners, for once. It’s his last summer before college, her last before losing her eyesight. As he adjusts to his unsentimental mother’s acceptance of her fate, they make tentative steps toward the future. “Farangs,” included in Best New American Voices 2005 (p. 711), is about a flirtation between a Thai teenager who keeps a pet pig named Clint Eastwood and an American girl who wanders around in a bikini. His mother, who runs a motel after having been deserted by the boy’s American father, warns him about “bonking” one of the guests. “Draft Day” concerns a relieved but guilty young man whose father has bribed him out of the draft, and in “Don’t Let Me Die in This Place,” a bitter grandfather has moved from the States to Bangkok to live with his son, his Thai daughter-in-law, and two grandchildren. The grandfather’s grudging adjustment to the move and to his loss of autonomy (from a stroke) is accelerated by a visit to a carnival, where he urges the whole family into a game of bumper cars. The longest story, “Cockfighter,” is an astonishing coming-of-ager about feisty Ladda, 15, who watches as her father, once the best cockfighter in town, loses his status, money, and dignity to Little Jui, 16, a meth addict whose father is the local crime boss. Even Ladda is in danger, as Little Jui’s bodyguards try to abduct her. Her mother tells Ladda a family secret about her father’s failure of courage in fighting Big Jui to save his own sister’s honor. By the time Little Jui has had her father beaten and his ear cut off, Ladda has begun to realize how she must fend for herself.

A newcomer to watch: fresh, funny, and tough.

Pub Date: Jan. 1, 2005

ISBN: 0-8021-1788-0

Page Count: 224

Publisher: Grove

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 15, 2004

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