An insightful, troubling look at political resentments in the forgotten heartland.
Wounded feelings give way to nationalist, supremacist politics in Hochschild’s “what went wrong with Appalachia” autopsy.
Appalachia was once a region of union labor activism, progressive social programs, and an openness to working with people from other countries. Most of the region went for Roosevelt—and Carter, and Clinton. But then, sociologist Hochschild writes, something changed: the mines closed down, the small towns died, many of the remaining residents turned to self-medication, and suddenly Appalachia was Trump country. Hochschild traces this turn in part to what she calls the “pride paradox,” by which the satisfaction in hard work well done is replaced by existential despair over losing usefulness and meaning. “People devised various ways to respond: turn shame inward, project shame outward, or find a creative solution to the paradox,” she writes. The middle proposition turns out to have been the most widespread: people in the region, and by extension people in overlooked rural enclaves across the country, now blame others—immigrants, liberals, urban elites—for their woes. This manifests in racism and fascist displays: Hochschild’s opening set piece is a pre-Charlottesville march of white supremacist radicals in a little Kentucky town seething with resentment at being seen by the world as disposable yokels. The real perpetrators, the extractivist multinationals and big pharma moguls, go unquestioned, while Trumpism triumphs because in a psychologically wounded community such as Pikeville, Kentucky, as one counselor notes, “That guy’s selling white nationalism as a quick fix to make a guy who’s down on himself feel like he’s strong and going places.” Hochschild counsels a wide-ranging solution that could use more specific grounding, but that points to a useful direction, involving rebuilding rural America “both by revising the American Dream and by equalizing access to it.”
An insightful, troubling look at political resentments in the forgotten heartland.Pub Date: Sept. 10, 2024
ISBN: 9781620976463
Page Count: 400
Publisher: The New Press
Review Posted Online: July 10, 2024
Kirkus Reviews Issue: Aug. 15, 2024
SEEN & HEARD
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Alternately admiring and critical, unvarnished, and a closely detailed account of a troubled innovator.
A warts-and-all portrait of the famed techno-entrepreneur—and the warts are nearly beyond counting.
To call Elon Musk (b. 1971) “mercurial” is to undervalue the term; to call him a genius is incorrect. Instead, Musk has a gift for leveraging the genius of others in order to make things work. When they don’t, writes eminent biographer Isaacson, it’s because the notoriously headstrong Musk is so sure of himself that he charges ahead against the advice of others: “He does not like to share power.” In this sharp-edged biography, the author likens Musk to an earlier biographical subject, Steve Jobs. Given Musk’s recent political turn, born of the me-first libertarianism of the very rich, however, Henry Ford also comes to mind. What emerges clearly is that Musk, who may or may not have Asperger’s syndrome (“Empathy did not come naturally”), has nurtured several obsessions for years, apart from a passion for the letter X as both a brand and personal name. He firmly believes that “all requirements should be treated as recommendations”; that it is his destiny to make humankind a multi-planetary civilization through innovations in space travel; that government is generally an impediment and that “the thought police are gaining power”; and that “a maniacal sense of urgency” should guide his businesses. That need for speed has led to undeniable successes in beating schedules and competitors, but it has also wrought disaster: One of the most telling anecdotes in the book concerns Musk’s “demon mode” order to relocate thousands of Twitter servers from Sacramento to Portland at breakneck speed, which trashed big parts of the system for months. To judge by Isaacson’s account, that may have been by design, for Musk’s idea of creative destruction seems to mean mostly chaos.
Alternately admiring and critical, unvarnished, and a closely detailed account of a troubled innovator.Pub Date: Sept. 12, 2023
ISBN: 9781982181284
Page Count: 688
Publisher: Simon & Schuster
Review Posted Online: Sept. 12, 2023
Kirkus Reviews Issue: Oct. 15, 2023
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
BOOK TO SCREEN
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