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THE LETTERS OF EVELYN WAUGH AND DIANA COOPER

Lifetime of letters largely from Waugh to Lady Diana, a famous beauty ten years his senior, whom he loved but never bedded. Her letters to him have mostly vanished. These are not great letters, nor do they show Waugh at his most brutally Waspish, a celebrated quality that Cooper did not bring out in him. Waugh began writing Lady Diana, her editor/granddaughter Artemis Cooper tells us, in 1932, while deeply depressed (his wife had deserted him in 1929 after barely a year of marriage, after which he'd converted to Catholicism and thought he could not remarry), and went on writing to her until his death in 1966. The letters were lost until they resurfaced in 1987 and went up for sale. Early letters through WW II were posted by Waugh after parties or seeing Lady Diana play the Madonna on stage in The Miracle or while on his many travels to Abyssinia and elsewhere. They are in an intimate shorthand and filled with friends who pass by like fireflies. The letters rarely enter into any subject for more than a few sentences, though Waugh gets fairly stylish about Cyril Connolly: ``I think he sees himself as a sort of Public Relations Officer for Literature...He is a droll old sponge....'' The best letters come in the 1950's, though by then Waugh is a heavy drinker and Diana filled with black bouts of melancholia and her husband laid low with cirrhosis. Waugh asks, ``Darling Baby/Was our evening out hell? I was looking forward to it so much and what must I do but get pissed. I am so awfully sorry and ashamed. What did we talk about?'' Toward the end he's burned out, refers to his works as potboilers, and prays for death—which comes on Easter Sunday. Many charming moments, far apart. (Sixteen pages of b&w photographs—not seen.)

Pub Date: Jan. 1, 1992

ISBN: 0-395-56265-1

Page Count: 384

Publisher: Houghton Mifflin

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Nov. 1, 1991

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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