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RIPE

Name: RIPE
Author: Arthur Allen
ISBN: 978-1-58243-426-1

THE SEARCH FOR THE PERFECT TOMATO

by Arthur Allen ‧ RELEASE DATE: March 1, 2010

An eye-opener for foodies, consumers and social-justice activists alike.

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A robust tale of how tomatoes get to the table and why some don't taste very good when they get there.

For the denizens of the northern portions of the East Coast outside the growing season, writes former AP foreign correspondent Allen, tomatoes mean the round red things grown in Florida. More precisely: “Roughly 85 percent of the areas east of the Mississippi were served by Florida tomatoes in the October-June months, with about the same percentage in the West buying Mexican products.” Lucky Westerners: Tomatoes from Mexico still taste something like tomatoes, and a small army of plant scientists and agronomists from all over the world have descended on the country to keep the supply coming. Poor Easterners: Tomatoes grown there are “flawed” save for one thing—they fit a fast-food hamburger bun perfectly, and even if they have no taste, they are big and firm and can be sliced quickly by a machine without being turned to pulp. Implicated in that fast-food maw are issues of food justice, about which Allen writes from an unusual firsthand perspective. He ventured into the fields and picked tomatoes with immigrant workers, coming in with about half their yield owing to his inexperience but netting the same amount of pay, with a champion picker earning about $70 for a load of tomatoes that would likely bring $360 in a grocery store. Not a bad profit for an industry supported by such corporate types as “a mild-mannered flak who produced reassuring explanations for why a socially responsible company like Burger King couldn't pay a bit more for its tomatoes.” Ultimately, Allen suggests, the factory system will endure alongside the boutique, heirloom, organic-garden variety of tomato production, with perfection not likely coming from the former.

An eye-opener for foodies, consumers and social-justice activists alike.

Pub Date: March 1, 2010

ISBN: 978-1-58243-426-1

Page Count: 320

Publisher: Counterpoint

Review Posted Online: Dec. 22, 2010

Kirkus Reviews Issue: Jan. 1, 2010

Categories:

GENERAL NONFICTION

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BY THE LIGHT OF BURNING DREAMS
by David Talbot & Margaret Talbot with Arthur Allen

- BOOK REVIEW
THE FANTASTIC LABORATORY OF DR. WEIGL
by Arthur Allen

- BOOK REVIEW
VACCINE
by Arthur Allen

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NUTCRACKER

by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996

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This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

Categories:

GENERAL NONFICTION

- BOOK REVIEW
THE NUTCRACKER AND THE MOUSE KING
by E.T.A. Hoffmann ; adapted by Natalie Andrewson ; illustrated by Natalie Andrewson

- BOOK REVIEW
THE NUTCRACKER
by E.T.A. Hoffmann & illustrated by Julie Paschkis

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955

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An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.