The account of a "rather small underwater expedition" (the author and his companion, Mike Wilson) in 1954-55 to the Great Barrier Reef of the eastern seaboard of Australia is a bit of all right, even in heavy competition. For the scientist-science — fiction writer has a way with him , and, although everything is quite serious, there always is a funny side so that the land, water and underwater happenings are lively and highly individual. From his introduction to the "new fashioned people" of the country, to the remarkable experiences in railroading, driving and touring the 1200 miles of the Reef, Clarke is all eyes and ears for his new adventuring. There are some trial runs of equipment before reaching Heron Island; there is always weather for an enemy; and there are all the inhabitants of the depths to delight, amaze and surprise him. There is quite a stay on Thursday Island where the pearl divers of the Torres Straits astound them; there are accidents, isolated and in series; and, of course, there are — octopus, shark, turtle, barracuda, stonefish, etc., etc. — to be photographed. It's a joy of a book even for those who have reached the saturation point. A chapter on photographic techniques for the experts.
Pub Date: May 1, 1965
ISBN: 0743435079
Page Count: 308
Publisher: Harper & Row
Review Posted Online: Sept. 20, 2011
Kirkus Reviews Issue: May 1, 1965
An enjoyable slice of 20th-century music journalism almost certain to provide something for most readers, no matter one’s...
Music journalist and musician Wald (Talking 'Bout Your Mama: The Dozens, Snaps, and the Deep Roots of Rap, 2014, etc.) focuses on one evening in music history to explain the evolution of contemporary music, especially folk, blues, and rock.
The date of that evening is July 25, 1965, at the Newport Folk Festival, where there was an unbelievably unexpected occurrence: singer/songwriter Bob Dylan, already a living legend in his early 20s, overriding the acoustic music that made him famous in favor of electronically based music, causing reactions ranging from adoration to intense resentment among other musicians, DJs, and record buyers. Dylan has told his own stories (those stories vary because that’s Dylan’s character), and plenty of other music journalists have explored the Dylan phenomenon. What sets Wald's book apart is his laser focus on that one date. The detailed recounting of what did and did not occur on stage and in the audience that night contains contradictory evidence sorted skillfully by the author. He offers a wealth of context; in fact, his account of Dylan's stage appearance does not arrive until 250 pages in. The author cites dozens of sources, well-known and otherwise, but the key storylines, other than Dylan, involve acoustic folk music guru Pete Seeger and the rich history of the Newport festival, a history that had created expectations smashed by Dylan. Furthermore, the appearances on the pages by other musicians—e.g., Joan Baez, the Weaver, Peter, Paul, and Mary, Dave Van Ronk, and Gordon Lightfoot—give the book enough of an expansive feel. Wald's personal knowledge seems encyclopedic, and his endnotes show how he ranged far beyond personal knowledge to produce the book.
An enjoyable slice of 20th-century music journalism almost certain to provide something for most readers, no matter one’s personal feelings about Dylan's music or persona.Pub Date: July 25, 2015
ISBN: 978-0-06-236668-9
Page Count: 368
Publisher: Dey Street/HarperCollins
Review Posted Online: May 15, 2015
Kirkus Reviews Issue: June 1, 2015
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...
Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").Pub Date: May 15, 1972
ISBN: 0205632645
Page Count: 105
Publisher: Macmillan
Review Posted Online: Oct. 28, 2011
Kirkus Reviews Issue: May 1, 1972
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