by Arthur Conan Doyle & adapted by Murray Shaw & M.J. Cosson & illustrated by Sophie Rohrback & JT Morrow ‧ RELEASE DATE: March 1, 2012
Budding Holmesians not yet ready to tackle the originals will certainly get a taste of what’s in store.
A bit of nautical skullduggery leads to a brutal former sea captain’s murder in this graphic adaptation.
Consistent with series formula, it is retold in easy-to-follow framed panels of various sizes and shapes interspersed with prose transitions and capped by analyses of the significant clues. This case has Holmes and Watson helping a novice police inspector nab a hulking tar who left his victim pinned to a wall with a harpoon. The resultant confession reveals murky deeds in the pasts of both mariners. The gruesome elements here and in the co-published #12, Sherlock Holmes and the Adventure of the Cardboard Box, are not explicitly depicted, and the simply drawn art’s dark palette gives the visuals a muted look. Characters have an unfortunately cartoony look; Holmes, in particular, lacks the expected gravitas. Still, the plots remain intact, and the language and settings have a properly period flavor.
Budding Holmesians not yet ready to tackle the originals will certainly get a taste of what’s in store. (map, reading list) (Graphic mystery. 10-12)Pub Date: March 1, 2012
ISBN: 978-0-7613-7100-7
Page Count: 48
Publisher: Graphic Universe
Review Posted Online: Nov. 8, 2011
Kirkus Reviews Issue: Dec. 1, 2011
Share your opinion of this book
by Karen Romano Young ; illustrated by Jessixa Bagley ‧ RELEASE DATE: Jan. 7, 2020
The magic of reading is given a refreshingly real twist.
This is the way Pearl’s world ends: not with a bang but with a scream.
Pearl Moran was born in the Lancaster Avenue branch library and considers it more her home than the apartment she shares with her mother, the circulation librarian. When the head of the library’s beloved statue of poet Edna St. Vincent Millay is found to be missing, Pearl’s scream brings the entire neighborhood running. Thus ensues an enchanting plunge into the underbelly of a failing library and a city brimful of secrets. With the help of friends old, uncertainly developing, and new, Pearl must spin story after compelling story in hopes of saving what she loves most. Indeed, that love—of libraries, of books, and most of all of stories—suffuses the entire narrative. Literary references are peppered throughout (clarified with somewhat superfluous footnotes) in addition to a variety of tangential sidebars (the identity of whose writer becomes delightfully clear later on). Pearl is an odd but genuine narrator, possessed of a complex and emotional inner voice warring with a stridently stubborn outer one. An array of endearing supporting characters, coupled with a plot both grounded in stressful reality and uplifted by urban fantasy, lend the story its charm. Both the neighborhood and the library staff are robustly diverse. Pearl herself is biracial; her “long-gone father” was black and her mother is white. Bagley’s spot illustrations both reinforce this and add gentle humor.
The magic of reading is given a refreshingly real twist. (reading list) (Fantasy. 10-12)Pub Date: Jan. 7, 2020
ISBN: 978-1-4521-6952-1
Page Count: 392
Publisher: Chronicle Books
Review Posted Online: Aug. 25, 2019
Kirkus Reviews Issue: Sept. 15, 2019
Share your opinion of this book
More by Karen Romano Young
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
by Kazu Kibuishi ; illustrated by Kazu Kibuishi ‧ RELEASE DATE: Sept. 25, 2018
Kibuishi gives his epic tale a hefty nudge toward its long-building climax while giving readers plenty of reasons to stick...
Stonekeeper Emily frees the elves from their monstrous masked ruler and sets out to rejoin her brother and mother in the series’ penultimate episode.
The multistranded storyline picks up with Emily’s return to the world of Alledia. Now a fiery, destructive phoenix struggling to regain control of her actions, Emily goes on to follow her brother Navin and allies as they battle invading shadows on the nearby world of Typhon, then switches back to human form for a climactic confrontation with the Elf King—in the course of which Emily rips off his mask to a chorus of “ERGH!! NO!!! GRAH! RRGH!! AAAGH!” to expose a rousingly hideous face. Cute animal heads on many figures (the result of a curse) and a scene with benevolent-looking trees provide at least a bit of relief from the grim expressions that all the human and humanoid elven characters almost invariably wear. But along with emphatic sound effects, the battle and action scenes in the cleanly drawn, if sometimes cramped, panels feature huge blasts of fire or energy, intricately detailed giant robots, weirdly eyeless monsters, and wild escapades aplenty to keep the pace’s pedal to the metal. Aliens and AIs in the cast come in a variety of hues, elves are a uniform gray, and except for a brief encounter between Emily and a slightly darker lad, the (uncursed) humans default to white.
Kibuishi gives his epic tale a hefty nudge toward its long-building climax while giving readers plenty of reasons to stick around for it. (Graphic fantasy. 10-12)Pub Date: Sept. 25, 2018
ISBN: 978-0-545-85002-5
Page Count: 208
Publisher: Graphix/Scholastic
Review Posted Online: July 23, 2018
Kirkus Reviews Issue: Aug. 15, 2018
Share your opinion of this book
More by Brandon Sanderson
BOOK REVIEW
by Brandon Sanderson ; illustrated by Kazu Kibuishi
BOOK REVIEW
edited by Kazu Kibuishi
BOOK REVIEW
by Kazu Kibuishi ; illustrated by Kazu Kibuishi
© Copyright 2024 Kirkus Media LLC. All Rights Reserved.
Hey there, book lover.
We’re glad you found a book that interests you!
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Don’t fret. We’ll find you.