bookshelf

UNDER THE SUN

Name: UNDER THE SUN
Author: Arthur Dorros
ISBN: 0-8109-4933-4

by Arthur Dorros ‧ RELEASE DATE: Oct. 1, 2004

bookshelf

This middling war story, placed in Bosnia and Croatia in the early 1990s, follows a boy displaced and scrambling for survival. Thirteen-year-old Ehmet lives in Sarajevo, but when it becomes too dangerous, his father sends him and his mother to the countryside. They’re attacked and his mother beaten; they flee and begin walking west towards the Croatian border. Along the way, his mother becomes ill and dies, leaving Ehmet alone to negotiate roving soldiers. He’s placed in a refugee camp, but escapes and reaches a tiny village in the Croatian mountains where war orphans have a chance for new lives. Dorros eschews subtlety with over-direct points like “No group seemed to have a monopoly on doing harm or helping.” Ehmet is fairly generic, as is the whole text: if not for repeated narrative use of the words “Muslim,” “Croat,” “Serb,” and “Bosnian,” the whole thing could take place in any war setting. (map, author’s note) (Fiction. 10-13)

Pub Date: Oct. 1, 2004

ISBN: 0-8109-4933-4

Page Count: 224

Publisher: Amulet/Abrams

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 15, 2004

Categories:

TEENS & YOUNG ADULT HISTORICAL FICTION | TEENS & YOUNG ADULT SOCIAL THEMES

- BOOK REVIEW
ABUELO
by Arthur Dorros ; illustrated by Raúl Colón

- BOOK REVIEW
PAPÁ AND ME
by Arthur Dorros & illustrated by Rudy Gutierrez

- BOOK REVIEW
JULIO’S MAGIC
by Arthur Dorros & illustrated by Ann Grifalconi

bookshelf

PRIVATE PEACEFUL

by Michael Morpurgo ‧ RELEASE DATE: Oct. 1, 2004

bookshelf

From England’s Children’s Laureate, a searing WWI-era tale of a close extended family repeatedly struck by adversity and injustice. On vigil in the trenches, 17-year-old Thomas Peaceful looks back at a childhood marked by guilt over his father’s death, anger at the shabby treatment his strong-minded mother receives from the local squire and others—and deep devotion to her, to his brain-damaged brother Big Joe, and especially to his other older brother Charlie, whom he has followed into the army by lying about his age. Weaving telling incidents together, Morpurgo surrounds the Peacefuls with mean-spirited people at home, and devastating wartime experiences on the front, ultimately setting readers up for a final travesty following Charlie’s refusal of an order to abandon his badly wounded brother. Themes and small-town class issues here may find some resonance on this side of the pond, but the particular cultural and historical context will distance the story from American readers—particularly as the pace is deliberate, and the author’s hints about where it’s all heading are too rare and subtle to create much suspense. (Fiction. 11-13, adult)

Pub Date: Oct. 1, 2004

ISBN: 0-439-63648-5

Page Count: 208

Publisher: Scholastic

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 15, 2004

Categories:

TEENS & YOUNG ADULT HISTORICAL FICTION

- BOOK REVIEW
THE OGRE WHO WASN'T
by Michael Morpurgo ; illustrated by Emily Gravett

- BOOK REVIEW
WAR HORSE PICTURE BOOK
by Michael Morpurgo ; illustrated by Tom Clohosy Cole

- BOOK REVIEW
THE PUFFIN KEEPER
by Michael Morpurgo ; illustrated by Benji Davies

bookshelf

THE WATSONS GO TO BIRMINGHAM--1963

by Christopher Paul Curtis ‧ RELEASE DATE: Oct. 1, 1995

bookshelf

Curtis debuts with a ten-year-old's lively account of his teenaged brother's ups and downs. Ken tries to make brother Byron out to be a real juvenile delinquent, but he comes across as more of a comic figure: getting stuck to the car when he kisses his image in a frozen side mirror, terrorized by his mother when she catches him playing with matches in the bathroom, earning a shaved head by coming home with a conk. In between, he defends Ken from a bully and buries a bird he kills by accident. Nonetheless, his parents decide that only a long stay with tough Grandma Sands will turn him around, so they all motor from Michigan to Alabama, arriving in time to witness the infamous September bombing of a Sunday school. Ken is funny and intelligent, but he gives readers a clearer sense of Byron's character than his own and seems strangely unaffected by his isolation and harassment (for his odd look—he has a lazy eye—and high reading level) at school. Curtis tries to shoehorn in more characters and subplots than the story will comfortably bear—as do many first novelists—but he creates a well-knit family and a narrator with a distinct, believable voice. (Fiction. 10-12)