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THE SWING VOTER OF STATEN ISLAND

A sharp, strange read: Imagine William Burroughs and Philip K. Dick sharing a needle.

Having first dazzled Weird-Lit ultra-hipsters with The Fuck-Up in 1997, Nersesian (Unlubricated, 2004, etc.) rounds out a busy decade with a dystopian epic.

Combining sci-fi space/time-warping, Unabomber-style political ranting and an overall air of goose-bump paranoia, this is one turbo-charged trip through a version of the 1980s no one could love. A gumbo of Weather Underground, S.L.A. and Black Panther droogies take over New York City in the ’70s, splashing dirty bombs helter-skelter. Manhattan basically kaput, the federal government designates a former “military simulation city,” a radioactive desert outside Vegas, as the New New York. The geographic layout’s a convincing copy, but landmark names are corrupted: “Vampire Stake Building,” “Onion Square,” “Rock & Filler Center.” And the Gangs of New York rule, with the Boroughs divided between Piggers (or We the Peoplers) and Crappers (All Created Equalers), political parties at mutual knifepoint. Into this bedlam drops protagonist Uli, a Manchurian Candidate knock-off programmed by mysterious nefarious forces to assassinate Dropt, a rival candidate to Pigger Mayor Shub. Hizzonner spouts masterful Orwellian jive (“He’s intractable in a business that requires a lot of tractoring!”), and the citizens, when not overdosing on creepy new drugs, fantasize returning to the real Manhattan. But much to the fury of Abbie Hoffman and Allen Ginsberg, Ronald Reagan is running for re-election. If Staten Island’s borough president allies with the national Democrats and Reagan loses, nobody gets to go back, because it’s only budget-crunching Ronnie who wants to deep-six the fake New York. The loony-tune plot merely serves as a launch pad for Nersesian’s meditations on Vietnam-era military insanity, big-city frenzy and the Tower of Babel capacities of language.

A sharp, strange read: Imagine William Burroughs and Philip K. Dick sharing a needle.

Pub Date: Oct. 1, 2007

ISBN: 978-1-933354-34-7

Page Count: 280

Publisher: Akashic

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 1, 2007

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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TELL ME LIES

There are unforgettable beauties in this very sexy story.

Passion, friendship, heartbreak, and forgiveness ring true in Lovering's debut, the tale of a young woman's obsession with a man who's "good at being charming."

Long Island native Lucy Albright, starts her freshman year at Baird College in Southern California, intending to study English and journalism and become a travel writer. Stephen DeMarco, an upperclassman, is a political science major who plans to become a lawyer. Soon after they meet, Lucy tells Stephen an intensely personal story about the Unforgivable Thing, a betrayal that turned Lucy against her mother. Stephen pretends to listen to Lucy's painful disclosure, but all his thoughts are about her exposed black bra strap and her nipples pressing against her thin cotton T-shirt. It doesn't take Lucy long to realize Stephen's a "manipulative jerk" and she is "beyond pathetic" in her desire for him, but their lives are now intertwined. Their story takes seven years to unfold, but it's a fast-paced ride through hookups, breakups, and infidelities fueled by alcohol and cocaine and with oodles of sizzling sexual tension. "Lucy was an itch, a song stuck in your head or a movie you need to rewatch or a food you suddenly crave," Stephen says in one of his point-of-view chapters, which alternate with Lucy's. The ending is perfect, as Lucy figures out the dark secret Stephen has kept hidden and learns the difference between lustful addiction and mature love.

There are unforgettable beauties in this very sexy story.

Pub Date: June 12, 2018

ISBN: 978-1-5011-6964-9

Page Count: 352

Publisher: Atria

Review Posted Online: March 19, 2018

Kirkus Reviews Issue: April 1, 2018

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