In this elegant comedy edged with tragedy, an old poet's longing for the eponymous recognition, though mocked, is also...
Austrian writer Schnitzler (1862-1931; Desire and Delusion: Three Novellas, 2003, etc.) pokes fun at literary pretensions and ambitions in this short novella nearly lost in the Nazi book burning campaign of 1933 and published in the U.S. for the first time.
Eduard Saxberger, an elderly civil servant in Vienna, finds his poetry "rediscovered" by a group of young literary aspirants. Hailing him as Maestro and praising the single slim volume he published 30 years before, they welcome him to evening meetings at a local cafe. Saxberger, flattered, abandons the bourgeois acquaintances he now feels never really knew him in favor of young poets, a playwright, a frustrated novelist, a critic, and a "tragedienne" who flirts with him. Schnitzler paints a deft, playful, well-informed picture of the Viennese literary scene. Rereading his own work, Saxberger wonders "how the world could have passed so unheedingly over verses such as these." Naturally, the undiscovered geniuses of the Enthusiasm Society are insufficiently appreciated by the public. They hold the other patrons of the cafe in contempt for being successful. As the poet Meier explains, "Talentless...is what we generally call those who sit at different tables from us." The group decides to organize a "recital" in order to showcase their talent, and Saxberger agrees to write a new work for the occasion. His attempt to fulfill the part of the "venerable poet" and achieve recognition gives the book its dramatic tension. The night of the recital unfolds with convincing, and inevitable, melancholy. Each character is prey to his or her own egotism and insecurity. Saxberger imagines an "intoxicating, deafening success." Instead, mingled with the polite applause, he hears a pitying remark that brings tears of enraged hurt to his eyes, which the others misinterpret as proof of an excess of feeling. In the end, Saxberger goes back to his old life with the sense that he is "returning from a short, troublesome journey to a home that he had never loved."
In this elegant comedy edged with tragedy, an old poet's longing for the eponymous recognition, though mocked, is also understood.Pub Date: Aug. 8, 2017
ISBN: 978-1-68137-084-2
Page Count: 136
Publisher: New York Review Books
Review Posted Online: June 5, 2017
Kirkus Reviews Issue: June 15, 2017
BOOK REVIEW
BOOK REVIEW
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.
Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind.
The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility.
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.Pub Date: July 1, 1993
ISBN: 0-06-250217-4
Page Count: 192
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1993
SEEN & HEARD
SEEN & HEARD
BOOK TO SCREEN
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
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