by Arthur Yorinks & Maurice Sendak ; illustrated by Maurice Sendak ‧ RELEASE DATE: Sept. 4, 2018
Reading more like a private joke (and a rather mean-spirited one at that) than a story, this posthumous effort may please...
Based on Sendak’s series of 10 illustrations of Czech nonsense rhymes, an equally nonsensical story.
According to Yorinks’ afterword, he and Sendak cooked it up on a lark, “riffing on a story that might turn these disparate pictures into a cohesive picture book.” “Cohesive” is a stretch. The title characters find themselves one day in Limboland, where a “maniac shepherd boy” apprises them of the sugar beets’ imminent nuptials. Told by a goat that if no one brings a present they will “all be stuck in Limboland forever,” and learning that there is only one possible present—the monster Bumbo’s bagpipes—they determine to secure it. Their peregrinations take them past myriad peculiar scenes: a wood chopper taking an axe to a loaf of bread, a bear sewing his wedding outfit, a man cooking a woman in a cauldron, and “an old woman from the old country…using mumbo-jumbo and heebie-jeebie,” among others. They successfully steal the bagpipes, attend the wedding, eat cake, and go home. The framed, full-page illustrations, each set opposite a block of text, are trademark Sendak, populated by doughy, white humans and expressive animals in an Old World setting. Each taken by itself presents a patently absurd scenario that invites readers unfamiliar with the original rhymes to speculate on its circumstances. However, the narrative imposed by Yorinks and Sendak both closes off that avenue of imagination and fails to present anything resembling a satisfying story. Yorinks writes of the initial “brainstorming session” that “all I specifically remember…is…both of us laughing like crazy.”
Reading more like a private joke (and a rather mean-spirited one at that) than a story, this posthumous effort may please scholars but is likely to disappoint readers hoping for a new Sendak on par with his earlier works . (Picture book. 5-adult)Pub Date: Sept. 4, 2018
ISBN: 978-0-06-264465-7
Page Count: 28
Publisher: Michael di Capua/HarperCollins
Review Posted Online: Aug. 5, 2018
Kirkus Reviews Issue: Aug. 15, 2018
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by E.B. White illustrated by Garth Williams ‧ RELEASE DATE: Oct. 15, 1952
The three way chats, in which they are joined by other animals, about web spinning, themselves, other humans—are as often...
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A successful juvenile by the beloved New Yorker writer portrays a farm episode with an imaginative twist that makes a poignant, humorous story of a pig, a spider and a little girl.
Young Fern Arable pleads for the life of runt piglet Wilbur and gets her father to sell him to a neighbor, Mr. Zuckerman. Daily, Fern visits the Zuckermans to sit and muse with Wilbur and with the clever pen spider Charlotte, who befriends him when he is lonely and downcast. At the news of Wilbur's forthcoming slaughter, campaigning Charlotte, to the astonishment of people for miles around, spins words in her web. "Some Pig" comes first. Then "Terrific"—then "Radiant". The last word, when Wilbur is about to win a show prize and Charlotte is about to die from building her egg sac, is "Humble". And as the wonderful Charlotte does die, the sadness is tempered by the promise of more spiders next spring.
The three way chats, in which they are joined by other animals, about web spinning, themselves, other humans—are as often informative as amusing, and the whole tenor of appealing wit and pathos will make fine entertainment for reading aloud, too.Pub Date: Oct. 15, 1952
ISBN: 978-0-06-026385-0
Page Count: 192
Publisher: Harper/HarperCollins
Review Posted Online: Sept. 14, 2011
Kirkus Reviews Issue: Oct. 1, 1952
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by Daymond John ; illustrated by Nicole Miles ‧ RELEASE DATE: March 21, 2023
It’s hard to argue with success, but guides that actually do the math will be more useful to budding capitalists.
How to raise money for a coveted poster: put your friends to work!
John, founder of the FUBU fashion line and a Shark Tank venture capitalist, offers a self-referential blueprint for financial success. Having only half of the $10 he needs for a Minka J poster, Daymond forks over $1 to buy a plain T-shirt, paints a picture of the pop star on it, sells it for $5, and uses all of his cash to buy nine more shirts. Then he recruits three friends to decorate them with his design and help sell them for an unspecified amount (from a conveniently free and empty street-fair booth) until they’re gone. The enterprising entrepreneur reimburses himself for the shirts and splits the remaining proceeds, which leaves him with enough for that poster as well as a “brand-new business book,” while his friends express other fiscal strategies: saving their share, spending it all on new art supplies, or donating part and buying a (math) book with the rest. (In a closing summation, the author also suggests investing in stocks, bonds, or cryptocurrency.) Though Miles cranks up the visual energy in her sparsely detailed illustrations by incorporating bright colors and lots of greenbacks, the actual advice feels a bit vague. Daymond is Black; most of the cast are people of color. (This book was reviewed digitally.)
It’s hard to argue with success, but guides that actually do the math will be more useful to budding capitalists. (Picture book. 7-9)Pub Date: March 21, 2023
ISBN: 978-0-593-56727-2
Page Count: 40
Publisher: Random House
Review Posted Online: Dec. 13, 2022
Kirkus Reviews Issue: Jan. 1, 2023
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