by Artie Bennett and illustrated by Mike Lester ‧ RELEASE DATE: Jan. 1, 2010
This paean to the posterior opens with the claim that, “[e]yes and ears are much respected, / but the butt has been neglected.” It would be legitimate to wonder whether Bennett and his publisher regret this overconfident statement, publishing as it does in the wake of Always Lots of Heinies at the Zoo, by Ayun Halliday and illustrated by Dan Santat, The Tushy Book, by Fran Manushkin and illustrated by Tracy Dockray, and the sublime Chicken Cheeks, by Michael Ian Black and illustrated by Kevin Hawkes (all 2009). But a contract’s a contract, so here is yet another book about bottoms in all their glory. Rhyming couplets invite readers to regard animal butts and human ones, historical butts and modern ones, plain old American butts and exotic foreign ones. While it’s normally a given that any mention of the word “butt” and glimpse of a naked cheek is enough to send preschoolers into gales of helpless laughter, one has to wonder if even they haven’t become jaded by the butt glut. Lester’s energetic watercolor-and-scratchboard illustrations can’t lift this book above the rest. (Picture book. 3-5)
Pub Date: Jan. 1, 2010
ISBN: 978-1-59990-311-8
Page Count: 32
Publisher: Bloomsbury
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 15, 2009
Share your opinion of this book
More by Artie Bennett
BOOK REVIEW
by Artie Bennett ; illustrated by Dave Szalay
BOOK REVIEW
by Artie Bennett ; illustrated by Pranas T. Naujokaitis
BOOK REVIEW
by Artie Bennett & illustrated by Mike Moran
by Chloe Perkins ; illustrated by Sandra Equihua ‧ RELEASE DATE: Sept. 13, 2016
A nice but not requisite purchase.
A retelling of the classic fairy tale in board-book format and with a Mexican setting.
Though simplified for a younger audience, the text still relates the well-known tale: mean-spirited stepmother, spoiled stepsisters, overworked Cinderella, fairy godmother, glass slipper, charming prince, and, of course, happily-ever-after. What gives this book its flavor is the artwork. Within its Mexican setting, the characters are olive-skinned and dark-haired. Cultural references abound, as when a messenger comes carrying a banner announcing a “FIESTA” in beautiful papel picado. Cinderella is the picture of beauty, with her hair up in ribbons and flowers and her typically Mexican many-layered white dress. The companion volume, Snow White, set in Japan and illustrated by Misa Saburi, follows the same format. The simplified text tells the story of the beautiful princess sent to the forest by her wicked stepmother to be “done away with,” the dwarves that take her in, and, eventually, the happily-ever-after ending. Here too, what gives the book its flavor is the artwork. The characters wear traditional clothing, and the dwarves’ house has the requisite shoji screens, tatami mats and cherry blossoms in the garden. The puzzling question is, why the board-book presentation? Though the text is simplified, it’s still beyond the board-book audience, and the illustrations deserve full-size books.
A nice but not requisite purchase. (Board book/fairy tale. 3-5)Pub Date: Sept. 13, 2016
ISBN: 978-1-4814-7915-8
Page Count: 24
Publisher: Little Simon/Simon & Schuster
Review Posted Online: Oct. 11, 2016
Kirkus Reviews Issue: Jan. 1, 2017
Share your opinion of this book
More In The Series
adapted by Hannah Eliot ; illustrated by Nivea Ortiz
by Chloe Perkins ; illustrated by Dinara Mirtalipova
by Chloe Perkins ; illustrated by Archana Sreenivasan
More by Chloe Perkins
BOOK REVIEW
by Chloe Perkins ; illustrated by Dinara Mirtalipova
BOOK REVIEW
by Chloe Perkins ; illustrated by Archana Sreenivasan
by Kimiko Kajikawa & illustrated by Ed Young ‧ RELEASE DATE: Jan. 1, 2009
Through quick thinking and personal sacrifice, a wise old Japanese farmer saves the people of his village from a devastating tsunami in this simple yet striking story based on Lafcadio Hearn’s “A Living God.” Ojiisan lives in a cottage on a mountain overlooking the village and sea. One day, villagers gather to celebrate the rice harvest, but Ojiisan stays home thinking “something does not feel right.” When the earth quakes and the sea darkens and runs away from the land, Ojiisan realizes a tsunami approaches. Fearing the oblivious villagers will be swept away, Ojiisan torches his rice fields to attract attention, and they respond, barely escaping the monster wave. Rendered in gouache, pastel and collage, Young’s illustrations cleverly combine natural textures, bold colors and abstract shapes to convey compelling images of chaos and disaster as the rice fields burn and the wave rushes in. In one literally breathtaking double-page spread, an enormous wall of water engulfs the teeny seacoast village. A visually powerful and dramatic tribute to one man’s willingness to sacrifice everything for others. (Picture book. 3-5)
Pub Date: Jan. 1, 2009
ISBN: 978-0-399-25006-4
Page Count: 32
Publisher: Philomel
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 1, 2008
Share your opinion of this book
More by Kimiko Kajikawa
BOOK REVIEW
© Copyright 2024 Kirkus Media LLC. All Rights Reserved.
Hey there, book lover.
We’re glad you found a book that interests you!
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Don’t fret. We’ll find you.