Pérez-Reverte ends the novel imaginatively, but not soon enough to rescue it from portentousness and redundancy. The author...
Dialectic replaces drama in a different kind of historical suspense novel, an international bestseller published in the U.S. for the first time, from the Spanish author (The Queen of the South, 2004, etc.).
The protagonist, Andrés Faulques, is a celebrated war photographer who, in middle age, has retreated to a watchtower on the Spanish Mediterranean coast to work on a huge circular mural depicting every war ever fought. Channeling the great masters of battle painting (such as Goya, Bruegel and Picasso), Faulques settles into a daily routine that includes swimming in the sea, listening to a female tour guide (who includes him among the region’s attractions) and fighting off pain from the incurable illness (doubtless cancer) that is killing him. Then one day a visitor arrives: a Croatian named Ivo Markovic. Markovic is a former soldier whose image happened to be captured in one of the photographs that made Faulques rich and famous. Markovic reveals that the photograph, widely shown during wartime, was employed by Croatia’s Serbian enemies, soldiers who hunted down Markovic’s family, raped and tortured his wife and murdered her and their young son. The occluded morality of art and the artist thus becomes the subject of daily conversations between the two men, after the Croatian has informed the photographer that he has come to kill him. Despite the beauty of Peden’s lucid translation and the tension implicit in contrasts between Markovic’s emotion and Faulques’s stoical fatalism, the novel becomes static—clogged with colloquies about the “Butterfly Effect” (it states that a small action innocently performed can resonate dangerously around the world) and the exploitative element in fashioning beautiful images from human suffering (most piercingly in Faulques’s hesitantly shared recollection of Olvido, his former female colleague and lover—and the subject of his camera’s insistent eye).
Pérez-Reverte ends the novel imaginatively, but not soon enough to rescue it from portentousness and redundancy. The author has done and can do better than this.Pub Date: Jan. 15, 2008
ISBN: 978-1-4000-6598-1
Page Count: 224
Publisher: Random House
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 15, 2007
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
There are unforgettable beauties in this very sexy story.
Passion, friendship, heartbreak, and forgiveness ring true in Lovering's debut, the tale of a young woman's obsession with a man who's "good at being charming."
Long Island native Lucy Albright, starts her freshman year at Baird College in Southern California, intending to study English and journalism and become a travel writer. Stephen DeMarco, an upperclassman, is a political science major who plans to become a lawyer. Soon after they meet, Lucy tells Stephen an intensely personal story about the Unforgivable Thing, a betrayal that turned Lucy against her mother. Stephen pretends to listen to Lucy's painful disclosure, but all his thoughts are about her exposed black bra strap and her nipples pressing against her thin cotton T-shirt. It doesn't take Lucy long to realize Stephen's a "manipulative jerk" and she is "beyond pathetic" in her desire for him, but their lives are now intertwined. Their story takes seven years to unfold, but it's a fast-paced ride through hookups, breakups, and infidelities fueled by alcohol and cocaine and with oodles of sizzling sexual tension. "Lucy was an itch, a song stuck in your head or a movie you need to rewatch or a food you suddenly crave," Stephen says in one of his point-of-view chapters, which alternate with Lucy's. The ending is perfect, as Lucy figures out the dark secret Stephen has kept hidden and learns the difference between lustful addiction and mature love.
There are unforgettable beauties in this very sexy story.Pub Date: June 12, 2018
ISBN: 978-1-5011-6964-9
Page Count: 352
Publisher: Atria
Review Posted Online: March 19, 2018
Kirkus Reviews Issue: April 1, 2018
BOOK REVIEW
BOOK REVIEW
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