Pérez-Reverte at his best is a matchless entertainer. But this, his weakest novel, is a major disappointment.
The perilous arc of a powerful woman druglord’s career, painstakingly traced by the Spanish author of such brainteasing thrillers as The Club Dumas (1998) and The Seville Communion (1999).
Pérez-Reverte’s sixth is a dual narrative in which we observe Mexicana Teresa Mendoza’s rise to power after the death of her drug-running pilot boyfriend Güero Davila, and also receive summaries of her progress from an unnamed journalist who’s interviewing both her former criminal contacts and law enforcement officers who spent 12 years pursuing her. It all moves much too slowly, because Pérez-Reverte’s obviously thorough researches betray him into an almost encyclopedic disclosure of exactly how the international drug trade operates—and because Teresa’s successive accomplices and lovers are thinly sketched, scarcely characterized at all. This is unfortunate, since there’s considerable dramatic potential in such vividly conceived figures as courtly “narco” godfather Epifanio Vargas, freelance drug-runner Santiago Fisterra (who supplants the late Güero in Teresa’s bed), Teresa’s bisexual prison cellmate and later partner Patricia O’Farrell, and criminous attorney (and Teresa’s next lover) Teo Aljarafe. “La Mexicana” (a.k.a. The Queen of the South) herself is fairly opaque, her strength and resolve asserted rather than dramatized. And Pérez-Reverte skirts absurdity by charting her development into a passionate reader, beginning with her jail-time immersion in The Count of Monte Cristo (“Edmond Dantes is me”). The action, fairly generic, moves from Mexico to Spain’s southern coast, the Strait of Gibraltar, and Morocco, peaking in a dangerous episode in the Black Sea. Still, Pérez-Reverte comes through with a smashing climax in which Teresa learns the truth about Güero, faces down the elusive Don Epifanio, and puts her own spin on her deal with USDEA officials (“Cooperation in exchange for immunity”). Too little, too late.
Pérez-Reverte at his best is a matchless entertainer. But this, his weakest novel, is a major disappointment.Pub Date: June 7, 2004
ISBN: 0-399-15185-0
Page Count: 448
Publisher: Putnam
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 15, 2004
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.
Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind.
The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility.
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.Pub Date: July 1, 1993
ISBN: 0-06-250217-4
Page Count: 192
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1993
SEEN & HEARD
SEEN & HEARD
BOOK TO SCREEN
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
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PROFILES
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