Glorious prose creates a grand, sometimes over-the-top sweep of facts, fantasy, and intriguing characters.
A mysterious tapestry brings the past to life for generations of women in one Hindu family.
The tapestry’s current guardian is Ayukta, a sculptor in Brooklyn. Although her ancestral memories go back further, she begins her story about 80 years ago with her grandmother Amla’s recollections of a happy childhood in Karachi, where Hindus and Muslims lived harmoniously together. But in 1947, when Amla was 10, Partition arrived. Amla’s mother died by political violence; Amla and her father escaped to Hindu Gujarat. Amla had the tapestry but, as a motherless girl, had to teach herself how to use it. She learned to experience her maternal ancestors’ lives. But her other new power—drawing events before they happened—was harder to understand, and one drawing caused her terrible grief. Years later, she gave the tapestry to her cautious, obedient older daughter, assuming Vibha would avoid her mistake. But after Vibha ensured the happy future of her book-smart, bold younger sister Arni in a drawing, Vibha made a fatal error. Mourning Vibha’s death, Amla feared Arni was too impulsive to trust with the tapestry, but Arni proved herself worthy, if more independent. She moved to America and became Ayukta’s mother. The intricacies of motherhood and daughterhood are thoroughly examined here. Ayukta has revealed the tapestry’s existence to her wife, Nadya, to explain her ambivalence about motherhood, and their conversations concerning the tapestry’s potential impact on any child they might raise together frequently interrupt Ayukta’s storytelling. Love between queer women takes shape as another theme through Ayukta and Nadya’s relationship, and also as Ayukta begins to realize the abiding love Amla shared with her rediscovered childhood friend Fiza—a “love [that] collapses time,” Ayukta says a bit oversentimentally. There is nothing sentimental, though, in Thanki’s views on the unintended consequences of Partition and the rise of nationalism.
Glorious prose creates a grand, sometimes over-the-top sweep of facts, fantasy, and intriguing characters.Pub Date: July 9, 2024
ISBN: 9780593654644
Page Count: 368
Publisher: Viking
Review Posted Online: May 31, 2024
Kirkus Reviews Issue: July 1, 2024
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.
A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.
When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.Pub Date: Feb. 6, 2024
ISBN: 9781250178633
Page Count: 480
Publisher: St. Martin's
Review Posted Online: Nov. 4, 2023
Kirkus Reviews Issue: Dec. 1, 2023
PERSPECTIVES
BOOK TO SCREEN
SEEN & HEARD
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.
The sequel to It Ends With Us (2016) shows the aftermath of domestic violence through the eyes of a single mother.
Lily Bloom is still running a flower shop; her abusive ex-husband, Ryle Kincaid, is still a surgeon. But now they’re co-parenting a daughter, Emerson, who's almost a year old. Lily won’t send Emerson to her father’s house overnight until she’s old enough to talk—“So she can tell me if something happens”—but she doesn’t want to fight for full custody lest it become an expensive legal drama or, worse, a physical fight. When Lily runs into Atlas Corrigan, a childhood friend who also came from an abusive family, she hopes their friendship can blossom into love. (For new readers, their history unfolds in heartfelt diary entries that Lily addresses to Finding Nemo star Ellen DeGeneres as she considers how Atlas was a calming presence during her turbulent childhood.) Atlas, who is single and running a restaurant, feels the same way. But even though she’s divorced, Lily isn’t exactly free. Behind Ryle’s veneer of civility are his jealousy and resentment. Lily has to plan her dates carefully to avoid a confrontation. Meanwhile, Atlas’ mother returns with shocking news. In between, Lily and Atlas steal away for romantic moments that are even sweeter for their authenticity as Lily struggles with child care, breastfeeding, and running a business while trying to find time for herself.
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.Pub Date: Oct. 18, 2022
ISBN: 978-1-668-00122-6
Page Count: 352
Publisher: Atria
Review Posted Online: July 26, 2022
Kirkus Reviews Issue: Aug. 15, 2022
SEEN & HEARD
SEEN & HEARD
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