The whodunit twists are fun, at least for a while; the heavy-handed treatment of motherhood not so much.
Women don’t stand a chance in Audrain’s pessimistic suspense novel concerning a child’s mysterious fall from his bedroom window.
Ten-year-old Xavier lies in a coma from which he may not recover. His mother, Whitney, sits silently distraught by his hospital bedside. Months earlier, at a garden party Whitney hosted for her neighbors, guests overheard her berating Xavier through the same open window he’s fallen from. Emergency room doctor Rebecca lives across the street, in a gentrified neighborhood of an unnamed city, and was at that party with her husband. Now Rebecca can’t help asking herself the obvious question: Was it an accident, or did Xavier jump, or was Whitney somehow responsible? As other women from the block come into focus, it becomes clear that Whitney is not the only woman with guilty secrets. (Forget the men, who are given no inner lives.) This is Audrain’s second novel about troubled children and their troubled mothers, following The Push (2021). These mothers, whom childless Rebecca envies—after multiple failures she is desperately, secretly trying again to get pregnant—are all miserable, although their situations vary. Devoting herself to her daughter, who happened to bully Xavier at school the day he fell, Whitney’s friend Blair has given up her career and now feels trapped in a comatose marriage to a man she doesn’t like, yet she panics when she suspects he may be cheating on her. Elderly Mara quietly nurses private anguish over the death of her emotionally delicate son and silently hates her husband for being cruel to him. As the novel’s central force, Whitney is problematic. Not because she is unlikable, has anger issues, or even because she might have hurt her child, but because she is a caricature of the striving careerist with no redeeming characteristics, a bad mother, bad friend, bad wife, serial adulterer, and liar with a pathological lack of empathy.
The whodunit twists are fun, at least for a while; the heavy-handed treatment of motherhood not so much.Pub Date: June 6, 2023
ISBN: 9781984881694
Page Count: 336
Publisher: Pamela Dorman/Viking
Review Posted Online: March 27, 2023
Kirkus Reviews Issue: April 15, 2023
BOOK REVIEW
A welcome literary resurrection that deserves a place alongside Wright’s best-known work.
A falsely accused Black man goes into hiding in this masterful novella by Wright (1908-1960), finally published in full.
Written in 1941 and '42, between Wright’s classics Native Son and Black Boy, this short novel concerns Fred Daniels, a modest laborer who’s arrested by police officers and bullied into signing a false confession that he killed the residents of a house near where he was working. In a brief unsupervised moment, he escapes through a manhole and goes into hiding in a sewer. A series of allegorical, surrealistic set pieces ensues as Fred explores the nether reaches of a church, a real estate firm, and a jewelry store. Each stop is an opportunity for Wright to explore themes of hope, greed, and exploitation; the real estate firm, Wright notes, “collected hundreds of thousands of dollars in rent from poor colored folks.” But Fred’s deepening existential crisis and growing distance from society keep the scenes from feeling like potted commentaries. As he wallpapers his underground warren with cash, mocking and invalidating the currency, he registers a surrealistic but engrossing protest against divisive social norms. The novel, rejected by Wright’s publisher, has only appeared as a substantially truncated short story until now, without the opening setup and with a different ending. Wright's take on racial injustice seems to have unsettled his publisher: A note reveals that an editor found reading about Fred’s treatment by the police “unbearable.” That may explain why Wright, in an essay included here, says its focus on race is “rather muted,” emphasizing broader existential themes. Regardless, as an afterword by Wright’s grandson Malcolm attests, the story now serves as an allegory both of Wright (he moved to France, an “exile beyond the reach of Jim Crow and American bigotry”) and American life. Today, it resonates deeply as a story about race and the struggle to envision a different, better world.
A welcome literary resurrection that deserves a place alongside Wright’s best-known work.Pub Date: April 20, 2021
ISBN: 978-1-59853-676-8
Page Count: 240
Publisher: Library of America
Review Posted Online: March 16, 2021
Kirkus Reviews Issue: April 1, 2021
BOOK TO SCREEN
Uneven but fitfully amusing.
Betrayed by her husband, a severely depressed young woman gets drawn into the over-the-top festivities at a lavish wedding.
Phoebe Stone, who teaches English literature at a St. Louis college, is plotting her own demise. Her husband, Matt, has left her for another woman, and Phoebe is taking it hard. Indeed, she's determined just where and how she will end it all: at an oceanfront hotel in Newport, where she will lie on a king-sized canopy bed and take a bottle of her cat’s painkillers. At the hotel, Phoebe meets bride-to-be Lila, a headstrong rich girl presiding over her own extravagant six-day wedding celebration. Lila thought she had booked every room in the hotel, and learning of Phoebe's suicidal intentions, she forbids this stray guest from disrupting the nuptials: “No. You definitely can’t kill yourself. This is my wedding week.” After the punchy opening, a grim flashback to the meltdown of Phoebe's marriage temporarily darkens the mood, but things pick up when spoiled Lila interrupts Phoebe's preparations and sweeps her up in the wedding juggernaut. The slide from earnest drama to broad farce is somewhat jarring, but from this point on, Espach crafts an enjoyable—if overstuffed—comedy of manners. When the original maid of honor drops out, Phoebe is persuaded, against her better judgment, to take her place. There’s some fun to be had here: The wedding party—including groom-to-be Gary, a widower, and his 11-year-old daughter—takes surfing lessons; the women in the group have a session with a Sex Woman. But it all goes on too long, and the humor can seem forced, reaching a low point when someone has sex with the vintage wedding car (you don’t want to know the details). Later, when two characters have a meet-cute in a hot tub, readers will guess exactly how the marriage plot resolves.
Uneven but fitfully amusing.Pub Date: July 30, 2024
ISBN: 9781250899576
Page Count: 384
Publisher: Henry Holt
Review Posted Online: Sept. 13, 2024
BOOK REVIEW
BOOK REVIEW
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