It's an idea to capture a child's fancy, and touch a cat-lover's heart—with a measured, word-wise text satisfying to...
Or, why cats eat rats—quietly and effectively adapted from a West Indian folk tale by an accomplished compiler/illustrator (The Ox of the Wonderful Horns, Beat the Story-Drum, Pum-Pum).
This is a smallish volume (5 3/4 x 7 3/8), with russet crayon drawings of a droll dignity that itself compels attention. We first see Cat and Mouse as big and little trousered workmates, and "the best of friends." ("Uh-huh, uh-huh, they really were!") But Mouse is given to copying Cat, and when Cat's old uncle presents him with a tiny cat drum, "passed down in the family," Mouse is disgruntled at hearing he can't play it. ("I made my hut like yours, squeak, squee-eee. I played in the shade of your coconut tree. . .") So he devises a scheme to get hold of the drum—first stuffing himself with food, then feigning sickness when it's time to to out and work. But Cat, hoeing, hears the drum's purrum, purrum, purrum (a sound that, neatly, grows louder the more lightly the drum is stoked) and he eventually catches Rat out. That wily fellow saves himself by plunging the drum into Cat's open mouth—and, we're told, it has lodged safely in Cat's stomach ever since. "If you're kind to Cat," Bryan concludes—with a fetching drawing of a little boy and a big house-cat—"he'll let you play his drum. Remember, though, don't tap it or beat it, don't rap it or poke it. Just stroke Cat gently, very, very gently. Uh-huh, uh-huh!"
It's an idea to capture a child's fancy, and touch a cat-lover's heart—with a measured, word-wise text satisfying to read or read aloud. (Picture book/folktale. 4-8)Pub Date: March 12, 1985
ISBN: 002179510X
Page Count: 52
Publisher: Atheneum
Review Posted Online: Oct. 26, 2011
Kirkus Reviews Issue: Feb. 15, 1985
PERSPECTIVES
Visually accomplished but marred by stereotypical cultural depictions.
Ellis, known for her illustrations for Colin Meloy’s Wildwood series, here riffs on the concept of “home.”
Shifting among homes mundane and speculative, contemporary and not, Ellis begins and ends with views of her own home and a peek into her studio. She highlights palaces and mansions, but she also takes readers to animal homes and a certain famously folkloric shoe (whose iconic Old Woman manages a passel of multiethnic kids absorbed in daring games). One spread showcases “some folks” who “live on the road”; a band unloads its tour bus in front of a theater marquee. Ellis’ compelling ink and gouache paintings, in a palette of blue-grays, sepia and brick red, depict scenes ranging from mythical, underwater Atlantis to a distant moonscape. Another spread, depicting a garden and large building under connected, transparent domes, invites readers to wonder: “Who in the world lives here? / And why?” (Earth is seen as a distant blue marble.) Some of Ellis’ chosen depictions, oddly juxtaposed and stripped of any historical or cultural context due to the stylized design and spare text, become stereotypical. “Some homes are boats. / Some homes are wigwams.” A sailing ship’s crew seems poised to land near a trio of men clad in breechcloths—otherwise unidentified and unremarked upon.
Visually accomplished but marred by stereotypical cultural depictions. (Picture book. 4-8)Pub Date: Feb. 24, 2015
ISBN: 978-0-7636-6529-6
Page Count: 40
Publisher: Candlewick
Review Posted Online: Nov. 17, 2014
Kirkus Reviews Issue: Dec. 1, 2014
An invitation to wonder, imagine and look at everything (humans included) in a new way.
A young boy sees things a little differently than others.
Noah can see patterns in the dust when it sparkles in the sunlight. And if he puts his nose to the ground, he can smell the “green tang of the ants in the grass.” His most favorite thing of all, however, is to read. Noah has endless curiosity about how and why things work. Books open the door to those answers. But there is one question the books do not explain. When the wind comes whistling by, where does it go? Noah decides to find out. In a chase that has a slight element of danger—wind, after all, is unpredictable—Noah runs down streets, across bridges, near a highway, until the wind lifts him off his feet. Cowman’s gusty wisps show each stream of air turning a different jewel tone, swirling all around. The ribbons gently bring Noah home, setting him down under the same thinking tree where he began. Did it really happen? Worthington’s sensitive exploration leaves readers with their own set of questions and perhaps gratitude for all types of perspective. An author’s note mentions children on the autism spectrum but widens to include all who feel a little different.
An invitation to wonder, imagine and look at everything (humans included) in a new way. (Picture book. 4-8)Pub Date: April 14, 2015
ISBN: 978-1-60554-356-7
Page Count: 32
Publisher: Redleaf Lane
Review Posted Online: Feb. 2, 2015
Kirkus Reviews Issue: Feb. 15, 2015
© Copyright 2024 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
