It's an idea to capture a child's fancy, and touch a cat-lover's heart—with a measured, word-wise text satisfying to...
Or, why cats eat rats—quietly and effectively adapted from a West Indian folk tale by an accomplished compiler/illustrator (The Ox of the Wonderful Horns, Beat the Story-Drum, Pum-Pum).
This is a smallish volume (5 3/4 x 7 3/8), with russet crayon drawings of a droll dignity that itself compels attention. We first see Cat and Mouse as big and little trousered workmates, and "the best of friends." ("Uh-huh, uh-huh, they really were!") But Mouse is given to copying Cat, and when Cat's old uncle presents him with a tiny cat drum, "passed down in the family," Mouse is disgruntled at hearing he can't play it. ("I made my hut like yours, squeak, squee-eee. I played in the shade of your coconut tree. . .") So he devises a scheme to get hold of the drum—first stuffing himself with food, then feigning sickness when it's time to to out and work. But Cat, hoeing, hears the drum's purrum, purrum, purrum (a sound that, neatly, grows louder the more lightly the drum is stoked) and he eventually catches Rat out. That wily fellow saves himself by plunging the drum into Cat's open mouth—and, we're told, it has lodged safely in Cat's stomach ever since. "If you're kind to Cat," Bryan concludes—with a fetching drawing of a little boy and a big house-cat—"he'll let you play his drum. Remember, though, don't tap it or beat it, don't rap it or poke it. Just stroke Cat gently, very, very gently. Uh-huh, uh-huh!"
It's an idea to capture a child's fancy, and touch a cat-lover's heart—with a measured, word-wise text satisfying to read or read aloud. (Picture book/folktale. 4-8)Pub Date: March 12, 1985
ISBN: 002179510X
Page Count: 52
Publisher: Atheneum
Review Posted Online: Oct. 26, 2011
Kirkus Reviews Issue: Feb. 15, 1985
PERSPECTIVES
Visually accomplished but marred by stereotypical cultural depictions.
Ellis, known for her illustrations for Colin Meloy’s Wildwood series, here riffs on the concept of “home.”
Shifting among homes mundane and speculative, contemporary and not, Ellis begins and ends with views of her own home and a peek into her studio. She highlights palaces and mansions, but she also takes readers to animal homes and a certain famously folkloric shoe (whose iconic Old Woman manages a passel of multiethnic kids absorbed in daring games). One spread showcases “some folks” who “live on the road”; a band unloads its tour bus in front of a theater marquee. Ellis’ compelling ink and gouache paintings, in a palette of blue-grays, sepia and brick red, depict scenes ranging from mythical, underwater Atlantis to a distant moonscape. Another spread, depicting a garden and large building under connected, transparent domes, invites readers to wonder: “Who in the world lives here? / And why?” (Earth is seen as a distant blue marble.) Some of Ellis’ chosen depictions, oddly juxtaposed and stripped of any historical or cultural context due to the stylized design and spare text, become stereotypical. “Some homes are boats. / Some homes are wigwams.” A sailing ship’s crew seems poised to land near a trio of men clad in breechcloths—otherwise unidentified and unremarked upon.
Visually accomplished but marred by stereotypical cultural depictions. (Picture book. 4-8)Pub Date: Feb. 24, 2015
ISBN: 978-0-7636-6529-6
Page Count: 40
Publisher: Candlewick
Review Posted Online: Nov. 17, 2014
Kirkus Reviews Issue: Dec. 1, 2014
This humorous, lively dog’s-eye view provides gentle instruction for interacting with pets.
In Weaver’s charming picture book, a dog reassesses his not-so-glowing review of little kids.
“Families are OVERRATED!” as far as the bluish-gray hound named Dog is concerned. While he approves of the adults in the household, the four small children are for the birds. In an attempt to resolve his conflicted feelings, Dog pours his heart out to a therapist scribbling on a notepad. Dog lists his grievances via couplet rhymes: “And many times I’ve found their dirty toys INSIDE MY BOWL! / It’s obvious these little humans have no SELF-CONTROL!” With key words highlighted in colorful and bolded fonts for more emphasis, his voice now has added urgency. Soylu’s lively drawings in muted tones are wondrously effective in animating Dog; his hanging jowls, big eyes, and floppy ears all convey believably beleaguered expressions. Lifelike details enhance the dramatic effect of the children’s boisterous antics. At the end, Weaver provides a list of do’s and don’ts for interacting with pets. Dog lovers can identify the dog breed silhouettes on the endpapers. Kids will get a kick out of Dog’s opinion of humans and perhaps recognize some behaviors to reconsider.
This humorous, lively dog’s-eye view provides gentle instruction for interacting with pets.Pub Date: July 16, 2024
ISBN: 9781736267370
Page Count: 40
Publisher: A Little Offbeat Publishing
Review Posted Online: April 26, 2024
Kirkus Reviews Issue: June 15, 2024
Review Program: Kirkus Indie
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