A vivid westward migration tale with an arresting mixture of history and fiction.
A historical novel looks at the Donner Party disaster through the eyes of a young woman.
Ada Weeks, 19, is on a wagon train headed to California in 1846. The long trek has barely begun when she loses her adoptive parents to a raging river. In a flash, she has little but the clothes on her back, but the Breen family takes her on as a kind of nanny. Even at the best of times, the journey is relentlessly horrendous: heat, humidity, biting insects, snakes, choking dust, quagmires, swollen rivers, wagon breakdowns, exhausted and starving oxen, hostile Native Americans—the list goes on. But the wagon train pushes on, with these folks even entertaining themselves in the evenings. Then comes a fateful decision. Having lost precious time already, some in the party talk themselves into taking the new Hastings cutoff, supposedly a shortcut. Bad idea. The Great Salt Desert is a trip through hell and the trail often seems just a vague suggestion. The travelers fall further and further behind schedule and wind up stranded on the eastern slope of the Sierras at Truckee Lake as the worst winter storms in decades move in. The suffering is unimaginable, the deaths staggering. And then there’s the cannibalism. Will Ada make it to California? Sweeney has blended Ada and a few other fictional characters seamlessly with real people—the Donners, the Breens, Pat Dolan (her first love), the Graveses, and the Reeds—who died tragically or survived miraculously during the ordeal that is fixed in the national consciousness. (There is a helpful list of characters and a map in the front matter.) The author is a master of vivid descriptions, dragging readers along every wretched mile of the trail, sharing every dashed hope and every dramatic confrontation, with Ada as their guide. Ada is a marvelous creation, twice orphaned and both hopeful and fearful about a new life in California, the promised land. And savor Sweeney’s prose: “Hope was what used to fill our cup, Ada thinks. Now we are down to dregs.”
A vivid westward migration tale with an arresting mixture of history and fiction.Pub Date: May 19, 2020
ISBN: 978-1-63152-844-6
Page Count: 344
Publisher: She Writes Press
Review Posted Online: Sept. 13, 2024
Kirkus Reviews Issue: Nov. 1, 2024
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
BOOK TO SCREEN
A vibrant tale of a remarkable woman.
Who was Shakespeare?
Move over, Earl of Oxford and Francis Bacon: There’s another contender for the true author of plays attributed to the bard of Stratford—Emilia Bassano, a clever, outspoken, educated woman who takes center stage in Picoult’s spirited novel. Of Italian heritage, from a family of court musicians, Emilia was a hidden Jew and the courtesan of a much older nobleman who vetted plays to be performed for Queen Elizabeth. She was well traveled—unlike Shakespeare, she visited Italy and Denmark, where, Picoult imagines, she may have met Rosencrantz and Guildenstern—and was familiar with court intrigue and English law. “Every gap in Shakespeare’s life or knowledge that has had to be explained away by scholars, she somehow fills,” Picoult writes. Encouraged by her lover, Emilia wrote plays and poetry, but 16th-century England was not ready for a female writer. Picoult interweaves Emilia’s story with that of her descendant Melina Green, an aspiring playwright, who encounters the same sexist barriers to making herself heard that Emilia faced. In alternating chapters, Picoult follows Melina’s frustrated efforts to get a play produced—a play about Emilia, who Melina is certain sold her work to Shakespeare. Melina’s play, By Any Other Name, “wasn’t meant to be a fiction; it was meant to be the resurrection of an erasure.” Picoult creates a richly detailed portrait of daily life in Elizabethan England, from sumptuous castles to seedy hovels. Melina’s story is less vivid: Where Emilia found support from the witty Christopher Marlowe, Melina has a fashion-loving gay roommate; where Emilia faces the ravages of repeated outbreaks of plague, for Melina, Covid-19 occurs largely offstage; where Emilia has a passionate affair with the adoring Earl of Southampton, Melina’s lover is an awkward New York Times theater critic. It’s Emilia’s story, and Picoult lovingly brings her to life.
A vibrant tale of a remarkable woman.Pub Date: Aug. 20, 2024
ISBN: 9780593497210
Page Count: 544
Publisher: Ballantine
Review Posted Online: June 15, 2024
Kirkus Reviews Issue: July 15, 2024
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